
A Bay Bay
A Shreveport club chant for DJ Hollywood Bay Bay, which Phunk Dawg's beat carried all the way to number seven.

A Shreveport club chant for DJ Hollywood Bay Bay, which Phunk Dawg's beat carried all the way to number seven.

The first ballad Kid Rock ever cut, its opening lines written, by his account, in a jail cell.

Finger snaps where the snare should be, E-40 riding shotgun, and Lil Jon proving crunk could whisper.

Trak Starz built the beat, Ludacris and Chaka Zulu signed him, and the Walnut Park kid stalled at number two.

Atlanta radio had it in March 2006; by September the country did, and Outkast joined the remix.

Jim Peterik of Survivor co-wrote it with Barnes and Carlisi, and it gave the band their first top ten.

Cut at Ardent Studios in Memphis, re-recorded in 1997 for the band's second album, and a number eleven hit.

Eighty to number one in a single week, on a hook lifted from the Moldovan pop song behind Numa Numa.
Jazze Pha's beat, Nate Dogg on the hook, and a Rush Hour 2 single that maps boasting by telephone prefix.

DJ Montay's beat, T-Pain on the hook, and the first song to sell four million digital copies in America.

Cartoon-sized arms in a men's room, courtesy of Spike Jonze, and Tom Cruise dancing to it in Tropic Thunder.
Mystikal barks the guest verse, Ludacris takes his first top ten, and 2003 antiwar marchers rewrote the chorus.

Timbaland built the beat at Manhattan Center Studios, and Ludacris turned deflecting nosy questions into pure comic swagger.

Drums lifted from a 1973 Ripple record, a closing verse in a president's voice, and Office Space did the rest.

Duane heard Betts's song, told him to sing it himself, and traded solos on one of his last sessions.

3.2 million ringtones sold, a Grammy won, and Play-N-Skillz's beat under a hook about racial profiling.
A Mellotron faking the strings, producer Al Kooper credited as Roosevelt Gook, and Van Zant's rambling farewell.

Four Alabama day-jobbers paid for their own sessions at a Nashville home studio, and Rolling Stone named it 2012's best.

Bangladesh built the beat around Harry Belafonte's Day-O, and Wayne released it six weeks after leaving jail.

Produced by the Runners in 2005, it drew bids from Bad Boy and Murder Inc. before Def Jam won.