
She Ain't You
Built on SWV's Right Here and Michael Jackson's Human Nature, Brown sighing over an ex from inside a new relationship.

Built on SWV's Right Here and Michael Jackson's Human Nature, Brown sighing over an ex from inside a new relationship.

William Orbit co-wrote and produced it, a Madonna collaborator turning Brown's fourth Fortune single into gleaming EDM.

Vocoder all over an R&B ballad in 2001, years before the effect took over pop radio; the Haileys wrote it.
Eugene Record and Barbara Acklin wrote it for the Chi-Lites in 1971; Hammer's hushed remake reached number four.

A glimpse of an ex on the London Underground, her new man beside her, and a transatlantic number one.

Rosenberg cut it in a Sydney studio with Australian session players, and a Dutch fan's email set it loose.

Kravitz wrote, arranged and produced it alone, cut it from an album, then won a third straight Grammy.

All six members, Bobby Brown included, on one album, with Tresvant and Bell trading a Jam and Lewis ballad.

Mark Wills cut it first in 2003; Dann Huff's production turned Steele and Robson's ballad into a country number one.

Cecil Sharp collected it in Appalachia in 1916; Seeger's arrangement and Terry Gilkyson's voice sold a million.

Clapton plays the lead over Padgham's production, the closest Collins had then come to writing a blues song.

Jon Bon Jovi wrote it for a film he then disowned; Kalodner found the track and pushed a re-recording.

Jim Jonsin and Rico Love built the beat, and Nelly took the heartbreak to number three.

Her brother Rollo co-produced it, and the chorus flatly refuses to concede a relationship everyone knows is over.

Clarence White on acoustic guitar, and the demo that led David Geffen to found Asylum Records and sign Browne.

Gill wrote it with Tim DuBois, Patty Loveless sang the harmony, and the CMA named it Single of the Year.

An Arabic descant improvised by Cheb Mami without hearing Sting's lyric, and both halves came out about longing.

Jam and Lewis rebuilt the group as grown men, Johnny Gill's first single with them, Tresvant on lead.

Sean Mackin's violin cutting through the guitars, and an avenue that is really a boulevard in Atlantic Beach, Florida.
Bacharach and David's 1964 ballad rebuilt in synthesizers at Abbey Road, and by Byrne's account the vocal took one take.