
In the City
Recorded at Brooklyn's Rumpus Room with Nick Stumpf producing, and Julia Stiles stars in the video.

Recorded at Brooklyn's Rumpus Room with Nick Stumpf producing, and Julia Stiles stars in the video.

May and Taylor wrote it, Mercury sang it, and Queen waited until 2019 to give it a video.

Powter sketched it on the ferry from Victoria to Vancouver; American Idol adopted it and Billboard called it 2006's biggest.

Todd Pipes drew the lyric from Roman Holiday, swapped in a different Hepburn title, and Britain sent it to number one.

Stapp built it from a recurring dream he learned to control, and it sat atop Mainstream Rock for seventeen weeks.

Trace Cyrus, Billy Ray's adopted son, and Mason Musso built a synth hook that went double platinum.

Recorded alone in Sussex in the summer of 1979, every instrument McCartney's own, and a UK number six by January.

Mutt Lange's hitchhiker story gave Heart a number two the Wilsons openly disliked; Ann called its message hideous.

The first ballad Kid Rock ever cut, its opening lines written, by his account, in a jail cell.

Rice-Oxley built it from Yeats's poem about an Irish airman, a pilot too high up to hear the guns below.

Estrin mailed Robb an instrumental demo; the lyrics came from scraps in a journal, the strings from Capitol.

Sugar Ray's drummer co-wrote it about touring temptation and a faithful girlfriend; the album title joked about vanishing fame.

Paul Stanley and Michael Bolton co-wrote the ballad that returned Kiss to the Top 40 after eleven years away.

A shuffle borrowed from Tears for Fears, cut on day one, with Bryan Adams singing near the end.

Padgham and Etheridge co-produced it, and Gwyneth Paltrow starred in the video shot at an old Los Angeles hotel.

A pizza box in a Florida Hard Rock Cafe holds the lyric Lane dashed off at the label's insistence.

Kamin wrote it after a funeral, imagining the widower left behind; it then held Adult Top 40 for twenty-three weeks.

Foster showed Parr a news clip about Rick Hansen's wheelchair world tour, and the pair wrote it that Friday afternoon.

Twenty years old when Sha Sha arrived, Kweller later played this one through a nosebleed at Austin City Limits.