Mr. Roboto
DeYoung wrote it for a rock opera about outlawed music; Stan Winston designed the suit, the vocoder did the rest.
DeYoung wrote it for a rock opera about outlawed music; Stan Winston designed the suit, the vocoder did the rest.

Woolfson took the title from casino surveillance slang; Sirius became the music that introduced Michael Jordan's Bulls.

Davies wrote and sang it, Hodgson answered in falsetto, and that Wurlitzer figure runs the whole drifter's farewell.

A piano ballad at first, then a synthesizer break, then guitars, angels and a starship headed skyward.

Cain and Perry wrote it backstage during the Escape tour, melody one evening and lyrics the next afternoon.

A fingerpicking exercise Livgren's wife overheard and told him to finish, now Kansas's only American top ten.

Miller ran a Stratocaster through an Echoplex for that staggered triplet echo, and the synthesizer drifts like weather.

John wrote the instrumental half imagining music for his own funeral; Hentschel's ARP 2500 overdubs did the rest.

Kerry Livgren's last-minute addition to Leftoverture opens a cappella, then hands Kansas their first top forty hit.

Seven-four time, Steve Hunter's Martin triple-tracked at three tape speeds, and Gabriel's first record after walking out of Genesis.

Knopfler borrowed a pen in a New York appliance store to copy down a delivery man's complaints about MTV.

Alan Parsons taped antique-shop clocks as a quadraphonic test; Mason's rototoms follow, and the alarms still land like panic.
Four notes known as Syd's theme, and Barrett himself turning up at Abbey Road mid-session, unrecognized by the band.

Seven beats to the bar, a tape loop of coins and cash registers, and Pink Floyd's first American hit.

Fisher's Hammond nods at Bach for a bar before veering off, and Reid took the title from a party remark.

Ezrin sent Gilmour to the discos, and twenty-three Islington schoolchildren got forty minutes to sing themselves onto a number one.

Gilmour's twelve-string comes through a recorded car radio, and Grappelli's violin sits buried near the very end.
Released five days before Apollo 11 launched, with a children's Stylophone buzzing under an astronaut who never comes home.

Page tuned to DADGAD, Plant wrote it driving through southern Morocco, and none of them had seen Kashmir.

A tranquilizer shot before a 1977 Philadelphia show gave Waters the lyric; Gilmour brought the chords and the solo.