
Please Don't Go
Casey and Finch's first ballad after a run of dance hits, and the first American number one of the 1980s.

Casey and Finch's first ballad after a run of dance hits, and the first American number one of the 1980s.

A LinnDrum, five Boston teenagers, and a spoken bridge calling out Ronnie, Bobby, Ricky and Mike by name.

Breakbot got a songwriting credit after the fact, and Mars turned late-seventies disco into a top-five American hit.

Deodato's production strips it to bassline and handclaps, and J.T. Taylor asks the only question a dancefloor needs.

Anita Pointer takes the lead, Richard Perry produced, and a 1984 reissue lifted a number thirty single to nine.

Michael programmed the LinnDrum in an evening, wrote the vocal next morning, and turned marital dread into a groove.

Recorded in a New Jersey studio with Deodato producing, and adopted everywhere from ballparks to the hostages' homecoming.

A vocoder hello, Philip Bailey's falsetto, and eight weeks at the top of the soul chart.

Nile Rodgers on rhythm guitar, an unknown Stevie Ray Vaughan on lead, and Bowie's biggest-selling single by a distance.

That bassline, mixed and remixed until it gleamed, and the four minutes that integrated MTV.