
Bad Day
Powter sketched it on the ferry from Victoria to Vancouver; American Idol adopted it and Billboard called it 2006's biggest.

Powter sketched it on the ferry from Victoria to Vancouver; American Idol adopted it and Billboard called it 2006's biggest.

Sugar Ray's drummer co-wrote it about touring temptation and a faithful girlfriend; the album title joked about vanishing fame.

Foster showed Parr a news clip about Rick Hansen's wheelchair world tour, and the pair wrote it that Friday afternoon.

Espen Lind swapped a ukulele in for the guitar line, and Monahan's Burning Man daydream became Train's biggest hit.

Rob Thomas called it a song for people who feel alone; eighteen weeks at Adult Top 40 number one.
Duritz dislikes writing to order, then handed Shrek 2 an Oscar-nominated rush of helpless, hurtling infatuation.
Sonefeld's idea, written by committee on acoustic guitars, and Rucker addressing time itself like it owed him something.

Clarkson wrote it for the ten-year mark since Idol, and the chorus lands like someone taking stock mid-sprint.

Cut at John Alagia's home studio in Maryland, it topped Adult Pop Songs for nine weeks and became a wedding standard.

A fight with his brother Caleb, a Denver station spinning the demo, and Slade's chorus everywhere by 2006.

Built on a sample of Avril Lavigne's I'm with You, flipped by the Runners into a Friday-night toast.

Cut at Ardent Studios in Memphis, re-recorded in 1997 for the band's second album, and a number eleven hit.

Rick Parashar cut it across three studios, and Arnold's ballad about missing someone became an unofficial anthem in Iraq.
Rejected as the Rocky IV end title, rerouted to The Karate Kid Part II, and two weeks at number one.

A debut-album cut that Branch wrote alone, produced by John Shanks, and her first trip into the top ten.

An anarchist collective from Leeds, a sample from Brassed Off, and a chorus about ordinary people refusing to stay down.

Page and George wrote the music touring with Adam Ant; John Lang set a Greek prayer on top.

A video at Bethesda Fountain, a six-dollar hat, and a hook that pushed the album past five times platinum.

Drummer Stan Frazier sang the hook on his way out of the studio, and the chorus borrows Malo's Suavecito.

Previte and DeNicola wrote it in 1984; Carmen cut it in an Ohio studio and Dirty Dancing did the rest.