
A Bad Dream
Rice-Oxley built it from Yeats's poem about an Irish airman, a pilot too high up to hear the guns below.

Rice-Oxley built it from Yeats's poem about an Irish airman, a pilot too high up to hear the guns below.

A fight with his brother Caleb, a Denver station spinning the demo, and Slade's chorus everywhere by 2006.

Folds went back to a trio for Songs for Silverman, and made its lead single a phone call home.

Clarence White on acoustic guitar, and the demo that led David Geffen to found Asylum Records and sign Browne.

Martin wrote the verse in Amsterdam and the outro in Iceland; the closing track waits minutes before the guitars arrive.

Rice-Oxley wrote it after the guitarist quit, which is why a rock band's biggest hook is played on piano.

Written for the comedy Loser, which cut the scene, and now the piano ballad people play at weddings.

Carlton built that piano figure in about an hour and titled it Interlude; her label insisted on something catchier.

Duritz wrote it before dawn while a friend lay in hospital, and the band cut it almost entirely live.

Paich's pounding piano intro, Porcaro's triplet hi-hat, and Lukather's solo, all on a debut single that hit number five.

Rice-Oxley hammered it out on piano after "Heroes", and Keane proved a rock band could skip guitars entirely.
A slave trader's sales pitch set to strings and Newman's warmest melody; Bobby Darin later sang it straight.

Written on guitar rather than piano, cut live in a bedroom on a few microphones, and unbearably calm.

Hornsby wrote the words first in a Van Nuys garage; that piano figure later became the spine of Tupac's Changes.

Apple wrote it in forty-five minutes to give the label its hit, then took a Grammy for the vocal.

A piano riff Martin nearly saved for the next album, rescued by their manager, then Record of the Year.

Rick Wakeman's piano, Bowie's own saxophone, and a stutter on the title that flopped before it defined him.