The Movies canon

Sourced and screened.

Every film chosen by hand and annotated for why it matters.
Browse all 731 films or filter by genre, director, place, and year.

The Long, Hot Summer

Directed by Martin Ritt
1958

Paul Newman and Joanne Woodward fell in love making this and married before it opened: William Faulkner boiled down into one Mississippi town, and the heat is doing most of the acting.

★ 1.7

The Defiant Ones

Directed by Stanley Kramer
1958

Sidney Poitier and Tony Curtis are chained together at the wrist, which was the entire argument in 1958: two convicts break out of a crash in the South and cannot move separately.

★ 1.9

The Outsiders

1983

Coppola cast almost every young male star of the coming decade before any of them were famous: Tom Cruise, Patrick Swayze, Matt Dillon and Rob Lowe, filmed in Tulsa like a fever dream.

★ 3.9

Norma Rae

Directed by Martin Ritt
1979

Sally Field took Best Actress and the union organizing is filmed as actual work: a North Carolina textile mill, a hired organizer from New York, and a millhand who starts asking questions.

★ 4.1

My Cousin Vinny

Directed by Jonathan Lynn
1992

Law schools use it to teach cross-examination, which no other comedy can claim: two students are arrested in rural Alabama and defended by a cousin who has never tried a case.

★ 4.4

The Green Mile

Directed by Frank Darabont
1999

Darabont's second Stephen King prison film runs three hours and nobody notices: a death row guard in 1935 takes delivery of the largest, quietest inmate the block has ever held.

★ 5.4

Friday Night Lights

Directed by Peter Berg
2004

High-school football is the surface; the subject is a town with nothing else: Odessa, Texas in 1988, filmed handheld and close, where a losing season is a civic emergency.

★ 5.9

Sex, Lies and Videotape

Directed by Steven Soderbergh
1989

American independent film became a business the week Soderbergh took the Palme d'Or at twenty-six: he made it for a million dollars, and it is four people talking about what they want.

★ 6.1

In the Heat of the Night

Directed by Norman Jewison
1967

Poitier refused to film in the Deep South, so Mississippi was recreated in Illinois: a Philadelphia detective is arrested for being Black in a small town and then asked to solve its murder.

★ 6.3

Deliverance

Directed by John Boorman
1972

The outdoors has never felt this hostile on film: Boorman shot in sequence and made his actors run the whitewater themselves, and a weekend canoe trip turns into something much older.

★ 6.6

Gone with the Wind

Directed by Victor Fleming
1939

Adjusted for inflation no film has ever earned more, and it is still telling the old South's version of itself: enormous, ravishing, and not to be trusted.

★ 7.4

Nashville

Directed by Robert Altman
1975

Altman's method arrives here fully formed: twenty-four characters, overlapping microphones, and five days of country music and politics that add up to a portrait of the whole country.

★ 7.5

A Streetcar Named Desire

Directed by Elia Kazan
1951

Three of its four leads won Academy Awards and the fourth was Brando: this is where screen acting stopped being theatrical and started being something else entirely.

★ 8.4

Moonlight

Directed by Barry Jenkins
2016

One life told in three chapters by three different actors, and shot in blues and purples so tender the film almost hums: nothing about it looks like anything else.

★ 8.4

The General

Directed by Buster Keaton and Clyde Bruckman
1926

Keaton did every stunt himself and dropped a real locomotive through a burning bridge: it flopped, cost him his independence within two years, and is now considered the great silent comedy.

★ 8.6