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1970s

1970 – 1979

Showing 119 albums from the 1970s

What's Going On

1971

Berry Gordy called it the worst thing he had ever heard and refused to release it until Gaye said he would never record for Motown again.

★ 9.8

Blue

1971

Mitchell was so exposed making it that she asked visitors to leave the studio. Kris Kristofferson told her to keep something back for herself.

★ 9.1

Rumours

1977

Two couples in the band were breaking up while they recorded, and kept writing songs about each other that the other had to sing.

★ 9.1

London Calling

1979

Their producer motivated the sessions by swinging ladders around the studio and pouring wine into the piano. The sleeve copies Elvis's first album.

★ 8.8

Who's Next

1971

What survived an abandoned science-fiction project became this record. The keyboard figure opening Baba O'Riley was generated by a machine rather than played.

★ 8.8

The Wall

1979

Roger Waters got the idea after spitting at a fan in Montreal and being appalled at himself. A school near the studio supplied the children's choir.

★ 8.8

Aja

1977

Becker and Fagen ran seven guitarists through the solo on Peg before they kept one, and worked the rest of the record the same way.

★ 8.7

Ramones

1976

Fourteen songs in twenty-nine minutes, recorded for about six thousand dollars. Nothing on it is longer than two and a half minutes.

★ 8.5

Innervisions

1973

Wonder played almost every instrument on it himself. Days after it came out a car crash put him in a coma for four days.

★ 8.3

Marquee Moon

1977

The two guitars never play the same part, and the singer, Tom Verlaine, refused to double-track anything, so you hear what happened in the room.

★ 8.1

Paranoid

1970

The title song was written in about twenty minutes as filler. Tony Iommi plays with plastic fingertips after losing his in a factory.

★ 8.0

Talking Book

1972

The Superstition riff is a clavinet, an electric keyboard with strings inside, layered several times over. Wonder had just won control of his contract.

★ 7.9

Horses

1975

It opens by announcing that Jesus died for somebody's sins but not hers. Robert Mapplethorpe took the cover photograph in a friend's apartment.

★ 7.6

Let's Get It On

1973

The title song began as a political lyric someone else wrote, and Gaye rewrote it into a seduction before the tape rolled.

★ 7.6

Plastic Ono Band

1970

Lennon made it straight after four months of primal scream therapy, with almost nothing on it but piano, bass and drums.

★ 7.5

Superfly

1972

Mayfield watched the film and wrote songs attacking the drug dealing it made look glamorous, then sang them in a falsetto over congas.

★ 7.4

The Clash

1977

Recorded across three weekends for about four thousand pounds. The American label refused to release it for two years, calling it unlistenable.

★ 7.4

Imagine

1971

Recorded at his home in Ascot on a white grand piano, and one of the songs is a straight attack on Paul McCartney.

★ 6.9

Transformer

1972

Herbie Flowers played two basses on Walk on the Wild Side, one upright and one electric, and was paid an ordinary session fee for it.

★ 6.7

The Last Waltz

1978

Martin Scorsese shot it with seven cameras and a written shot list keyed to the lyrics. Neil Diamond and Muddy Waters both turn up.

★ 6.3

Desire

1976

Dylan wrote most of it with a theatre director, and found his violinist by stopping a woman he saw carrying a violin case down the street.

★ 6.1

Pink Moon

1972

Twenty-eight minutes, recorded in two late-night sessions with nobody else playing. Drake left the tapes at his label's reception desk and walked out.

★ 6.0