
Songs in the Key of Life
It took so long that Wonder and the band took to wearing T-shirts reading We're Almost Finished. Twenty-one songs, and no filler.

It took so long that Wonder and the band took to wearing T-shirts reading We're Almost Finished. Twenty-one songs, and no filler.

The two guitars at the end of the title track were worked out note for note in advance, and have to be played identically every night.

Fourteen songs in twenty-nine minutes, recorded for about six thousand dollars. Nothing on it is longer than two and a half minutes.

Horns and drums lock into one riff and hold it for minutes before Fela sings a word, which is how he built nearly every track.

They recorded it in a converted warehouse they rented as a clubhouse. Slash and Kurt Cobain both named it the record that started them.

It was the first album certified platinum, and for decades it traded places with Thriller as the best-selling record in America.

The label wanted something commercial, so Rush delivered a twenty-minute dystopian suite about a banned guitar. It worked, and bought them their freedom.

Leon Ware wrote it as his own record and Gaye liked it so much he took it. It plays as one continuous piece.

RCA put it together from recordings already sitting in its vaults, and it became the first country album to sell a million copies.

Half of it was cut with the Muscle Shoals house band, and the title song is Seger remembering a summer twenty years earlier.

Seger had been playing for ten years with no national hit when this was taped over two nights at Cobo Hall in Detroit.