Las Meninas
1656 · El Prado, Madrid
The Infanta and her maids fill the room, but Velázquez has put himself at his easel and the king and queen in a mirror behind.
★ 9.8
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17th century
1601 – 1700
Showing 87 artworks from the 17th century
Ecstasy of Saint Teresa
1652 · Church of Santa Maria della Vittoria, Rome
Bernini staged the saint's own account of her vision as theater, lit from a window he hid above and watched by marble spectators in boxes.
★ 9.4
View of Delft
1660 · Mauritshuis, The Hague
Vermeer painted his own city from across the harbor, almost his only townscape. Proust called it the most beautiful painting in the world.
★ 9.3
The Night Watch
1642 · Rijksmuseum, Amsterdam
A militia company surges out of the shadow with a dog barking and a girl glowing among the men. Varnish, not night, made it dark.
★ 9.2
Apollo and Daphne
1624 · Galleria Borghese, Rome
Bernini was in his mid-twenties when he cut this, catching Daphne at the moment bark closes over her thigh and leaves push from her fingers.
★ 9.1
Judith Slaying Holofernes
1620 · Uffizi Gallery, Florence
Judith and her maid hold Holofernes down together and work the blade through his throat. Artemisia painted it a decade after her rape trial.
★ 8.8
The Anatomy Lesson of Dr Nicolaes Tulp
1632 · Mauritshuis, The Hague
Rembrandt was twenty-five and new in Amsterdam when the surgeons' guild hired him, and he built every head in the room around one lifted tendon.
★ 8.8
The Surrender of Breda
1635 · El Prado, Madrid
The Spanish general stops the defeated Dutchman from kneeling and lays a hand on his shoulder. Spaniards still call the picture The Lances.
★ 8.8
Portrait of Pope Innocent X
1650 · Galleria Doria Pamphilj, Rome
Velázquez caught every wary line in the pope's face, and Innocent reportedly said it was troppo vero, too true. Francis Bacon reworked it for years.
★ 8.8
Return of the Prodigal Son
1669 · Hermitage Museum, St. Petersburg, Russia
The son kneels with his shorn head against his father's chest and the old man's hands come down on his back. Rembrandt painted it near death.
★ 8.7
Girl with a Pearl Earring
1665 · Mauritshuis, The Hague
Not a portrait of anyone in particular but a tronie, a study of a type, which somehow made her the most looked-at girl in art.
★ 8.6
The Milkmaid (Vermeer)
1660 · Rijksmuseum, Amsterdam
A kitchen maid pours a thin stream of milk in ordinary daylight, given the weight and stillness usually reserved for saints.
★ 8.5
The Descent from the Cross (Rubens at Antwerp)
1614 · Cathedral of Our Lady, Antwerp
Christ's body slides down one long diagonal onto a white shroud. It still stands on the altar in Antwerp Cathedral that Rubens painted it for.
★ 8.5
Beheading of St. John the Baptist
1608 · Co-Cathedral of St. John, Valletta
The only canvas Caravaggio ever signed, and he signed it in the blood running from the saint's throat, for the knights of Malta.
★ 8.4
The Conversion of Saint Paul
1601 · Palazzo Odescalchi Balbi, Rome
Caravaggio's first attempt at the subject, turned down by the patron, before he threw out the angels and left one man, one horse and the light.
★ 8.4
Death of the Virgin
1606 · Louvre, Paris
The Virgin lies barefoot and swollen like any corpse. The church that ordered it refused delivery, and Rubens told his duke to buy it.
★ 8.4
View of Toledo
1610 · Metropolitan Museum of Art, New York City
El Greco moved the cathedral tower off its real site for the sake of the composition and lit the whole city with a green storm.
★ 8.4
David (Bernini)
1624 · Galleria Borghese, Rome
Bernini put the viewer where Goliath must be standing, so the sling is being wound up to throw straight past your head.
★ 8.4
The Art of Painting (The Artist's Studio)
1668 · Kunsthistorisches Museum, Vienna
Vermeer never sold this one. The model poses as Clio, muse of history, with a great map of the Netherlands filling the wall behind.
★ 8.3
Wind God and Thunder God (Fujin Raijin-zu)
1630 · Kyoto National Museum, Kyoto
The two gods hurtle in from opposite edges and Sotatsu leaves the whole middle empty, so the bare gold reads as sky.
★ 8.2