
The Descent from the Cross (Rubens at Antwerp)
Christ's body slides down one long diagonal onto a white shroud. It still stands on the altar in Antwerp Cathedral that Rubens painted it for.

Christ's body slides down one long diagonal onto a white shroud. It still stands on the altar in Antwerp Cathedral that Rubens painted it for.

El Greco moved the cathedral tower off its real site for the sake of the composition and lit the whole city with a green storm.

The emperor hands a book to a Sufi and ignores the kings waiting below, one of them James I, copied from an English portrait.

Two horsemen haul two women up onto rearing horses, and the whole canvas spins into one great X of limbs and hooves.

Rubens had just come back from Italy with Caravaggio's light and Michelangelo's anatomy, and announced himself with this straining diagonal.

Herod's soldiers and the mothers of Bethlehem lock into one knot of muscle. Overlooked for centuries, it sold in 2002 for a record price.

Eggs are visibly cooking in the pan as you watch. Velázquez painted this in Seville when he was barely nineteen years old.

Rubens painted this descent years after the Antwerp one, and the two together show him reworking the same falling body across a career.