Apollo and Daphne
1624 · Galleria Borghese, Rome
Bernini was in his mid-twenties when he cut this, catching Daphne at the moment bark closes over her thigh and leaves push from her fingers.
★ 9.1
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1620s
1620 – 1629
Showing 13 artworks from the 1620s
Judith Slaying Holofernes
1620 · Uffizi Gallery, Florence
Judith and her maid hold Holofernes down together and work the blade through his throat. Artemisia painted it a decade after her rape trial.
★ 8.8
David (Bernini)
1624 · Galleria Borghese, Rome
Bernini put the viewer where Goliath must be standing, so the sling is being wound up to throw straight past your head.
★ 8.4
Laughing Cavalier
1624 · Wallace Collection, London
He is neither laughing nor a cavalier. The lace and gold thread on that sleeve were flicked on in a few confident strokes.
★ 7.4
Wedding Portrait of Isaac Massa and Beatrix van der Laen
1622 · Rijksmuseum, Amsterdam
A married couple sitting on the grass, leaning into each other and visibly amused, which is not how marriage portraits were done.
★ 6.8
Gypsy Girl
1626 · Louvre, Paris
Not a commission but a tronie, a character study made to show off. Hals catches her half-laugh before it has finished.
★ 6.8
The Fall of the Damned
1620 · Alte Pinakothek, Munich
A single unbroken avalanche of bodies falls from a bright heaven at the top into the dark, with demons pulling them down.
★ 6.7
Lion Hunt
1621 · Alte Pinakothek, Munich
Horses, lions, spears and men knotted into one turning mass, with a rider already thrown and about to be mauled.
★ 6.7
Et in Arcadia Ego (Guercino)
1622 · Galleria Nazionale d'Arte Antica, Rome
Two shepherds stop at a skull on a plinth and read the words carved there. Guercino used the motto first, decades before Poussin.
★ 6.5
Self-Portrait (Rembrandt, 1629)
1629 · Rijksmuseum, Amsterdam
Rembrandt was barely in his twenties and using his own face as a laboratory for light. Dozens more would follow over forty years.
★ 6.1
Clown with Lute
1623 · Louvre, Paris
Caught mid-strum with his cap askew and his mouth open, painted so fast the brushstrokes still seem to be moving.
★ 5.4
Neptune and Triton
1623 · Victoria and Albert Museum, London
Neptune drives his trident down to still the waters. It was made for a fountain, so real water once finished the sculpture.
★ 5.4
The Rebuke of Adam and Eve
1626 · National Gallery of Art, Washington, District of Columbia
Adam points at Eve, Eve points at the serpent, and the first sin turns into an ordinary comedy of passing the blame.
★ 4.4