
War and Peace
Five families carried through Napoleon's invasion of Russia, with battle, marriage, farming, and a theory of history held in one design. You finish it knowing these people better than your own friends.

Five families carried through Napoleon's invasion of Russia, with battle, marriage, farming, and a theory of history held in one design. You finish it knowing these people better than your own friends.

An old man reads himself mad on chivalry, names himself a knight, and rides out with a farmer for a squire. Four hundred years on the book is still hilarious and still heartbreaking.

Leopold Bloom walks Dublin for one day in June 1904, and Joyce pours the whole English language into it. Bloom, advertising canvasser and cuckold, is the kindest man in fiction.

The most complete account of memory ever written. A man tastes a madeleine, and three thousand pages of remembered love, jealousy, and vanished aristocrats change permanently how you look at your own past.

Old Karamazov is murdered and each of his three sons had reason. Around the crime Dostoevsky stages the fiercest argument fiction has ever made about God and the suffering of children.

Anna leaves her husband for a young officer while, in the other half of the book, Levin farms and marries and worries about God. Tolstoy gives both lives the same total sympathy.

Raskolnikov murders a pawnbroker to prove he stands above ordinary morality, then comes apart as a magistrate circles him. It reads like a thriller and works like a confession.

American fiction has attempted nothing bigger. Ahab drags a whaling crew across the world after the whale that took his leg, and Melville keeps stopping the hunt to explain whales.

Dorothea Brooke marries a dry scholar for the wrong reasons and a gifted doctor lets small compromises close around him. Eliot knows more about how people actually fail than any English novelist.

Seven generations of one family in Macondo, where insomnia comes as a plague and the rain lasts four years. García Márquez reports the impossible as plain fact.

Elizabeth Bennet and Darcy dislike each other on sight and spend the novel being wrong. Austen wrote conversation better than anyone in English, and readers return to it their whole lives.

Emma Bovary reads romances, takes lovers, and runs up debts trying to feel something in a provincial town. Flaubert weighed every sentence, and modern fiction's idea of style begins with him.

Gatsby throws enormous parties hoping the woman he loved will wander into one. Fitzgerald made the Jazz Age America's myth of itself, and the last page is the most beautiful in American writing.

Sethe escaped slavery years ago and cannot escape the daughter she lost, who comes back to the house as a young woman. Morrison writes American history's worst chapter with unbearable tenderness.

Murasaki Shikibu, a lady at the Japanese imperial court, wrote a thousand pages about a prince, his loves, and his decline, reaching a psychological depth Europe would not manage for six hundred years.

Huck runs off down the Mississippi with Jim, who is escaping slavery, and the moment he decides he would rather go to hell than turn him in is the hinge of American fiction.

Josef K. is arrested one morning, never told the charge, and ruined by his own efforts to clear himself. Kafka made faceless authority funny, and gave the century its word for dread.

At a summer house by the sea a trip to the lighthouse keeps being postponed, and Woolf gets so close to how a mind works that years pass and grief arrives in passing.

Four sections circle one Mississippi family's ruin, and the first belongs to a brother who cannot speak or keep time in order. Faulkner makes confusion itself carry the weight of grief.

Winston Smith rewrites old newspapers so history agrees with the Party, then risks a diary and a love affair. Orwell built the machinery so exactly that reading it feels like being watched.

Humbert Humbert explains how he became stepfather to a twelve-year-old girl and drove her across America. Nabokov gives the monster the most beautiful prose in English and dares you to enjoy it.

Hans Castorp goes to a Swiss sanatorium to visit his tubercular cousin for three weeks and stays seven years. Time comes loose there while the patients debate everything and Europe drifts into war.

Scalp hunters ride the Mexican border in 1849, among them a runaway Tennessee boy and the hairless giant Judge Holden. McCarthy writes the violence in Old Testament prose and never once looks away.

Thomas Sutpen arrives in Mississippi from nowhere with a band of slaves and a French architect and builds a dynasty that destroys itself. Two students retell it until it swallows them.

Clarissa Dalloway buys the flowers herself and gives a party, one June day in London, while a veteran wrecked by the war comes apart nearby. Woolf moves between strangers' minds without warning.

Thrown out of college, then used by a Harlem political movement, a nameless Black man ends up living in a cellar on stolen light. Ellison writes American rage with jazz timing.

The Joads lose their Oklahoma farm and drive west to California, where the promised work is a lie. Steinbeck's fury at what was done to them still comes off the page.

Meursault buries his mother without crying, takes a lover, and shoots a man on a hot Algiers beach. At his trial the tears he never shed matter more than the killing.

Okonkwo is a wrestler and a hard man in an Igbo village, terrified of resembling his gentle, indebted father, when the missionaries arrive. Achebe builds a whole world before letting it come apart.

The animals drive out the farmer and run the place themselves, until the rules painted on the barn wall start changing. Orwell reduced the Russian Revolution to a fable no adult forgets.

Onegin coolly refuses a country girl's love letter, then kills a friend in a pointless duel. Pushkin wrote it in verse so quick and alive that Russians still know stanzas by heart.

Pip, a blacksmith's boy, is handed a fortune by an unknown benefactor and turns snob. Miss Havisham waits in her rotted wedding dress, and Dickens makes the shame of low birth unbearable.

Heathcliff, a foundling on a Yorkshire farm, spends his life destroying two families over the girl he loves. The poet Rossetti called it a fiend of a book, its action laid in hell.

Dickens's supreme achievement, and his angriest. A lawsuit over a will has dragged through the courts so long that nobody alive understands it, and its fog settles over every life in England.

English fiction found its first fierce female voice in Jane, plain and poor and conceding nothing. She survives a brutal charity school, becomes a governess, and loves an employer with a secret.

Jean Valjean serves nineteen years for stealing bread, breaks parole, and is hunted the rest of his life by a relentless policeman. Around them Hugo builds the century's great argument for mercy.

Stephen Dedalus grows from a small boy into a young man set on leaving Ireland to make art. The prose matures sentence by sentence with him, from baby talk to fierce argument.

The devil arrives in Stalin's Moscow with a retinue that includes an enormous talking cat, and the literary bureaucrats never recover. Threaded through it runs a stark short novel about Pontius Pilate.

During the siege of Stalingrad, a Soviet physicist receives his mother's last letter from a Nazi ghetto. Grossman wrote the war at Tolstoy's scale and said plainly that both tyrannies were one thing.

In London in 1944 the army notices that an American officer's sexual conquests keep predicting where German rockets fall. What follows is the filthiest, funniest chase ever run across a ruined continent.

Saleem Sinai is born at the exact midnight India becomes independent, which gives him telepathy and welds his life to the country's. Sixty years of history arrive as one unreliable, delighted confession.

Trying to get grounded for insanity, a bombardier learns that asking to be grounded proves he is sane. Heller runs that loop through a whole war until the deaths stop being funny.

Rats die in the streets of an Algerian port, the gates shut, and a doctor named Rieux keeps working. Camus meant the German occupation, and every epidemic since has proved him right.

Scout Finch's father, a lawyer in a small Alabama town, defends a Black man accused of raping a white woman. The trial reaches you through a child who understands less than you do.

Holed up in a shabby Petersburg room, a spiteful clerk talks at you, insisting people will wreck their own lives to prove they are free. Every alienated narrator since speaks in his voice.

Julien Sorel, a carpenter's son with a memorized Bible and enormous nerve, climbs out of provincial France into Paris society by way of two women. Stendhal reports each calculation without excusing him.

Alice follows a rabbit down a hole into a country where logic runs sideways, ruled by a queen who wants everyone beheaded. Carroll freed children's books from having to teach anything.

Zarathustra comes down from his mountain to announce that God is dead and man is something to be overcome. Nietzsche wrote it as scripture rather than argument, and readers take it personally.

Babies are decanted from bottles into castes, everyone takes a drug called soma, and nobody is unhappy. Huxley saw that a tyranny of pleasure would hold better than one of fear.

Something happens in the dark of the Marabar Caves, and an Englishwoman accuses the Indian doctor who brought her there. Forster watches a colonial society close ranks and goodwill count for nothing.

K. arrives in a village claiming the castle above it hired him as land surveyor, and never reaches anyone who can confirm it. Waiting becomes the whole of his life there.

Yuri Zhivago, a doctor who writes poetry, is carried through war and revolution and away from the women he loves. Pasternak lets history arrive like weather, and the Soviets banned it outright.

Everything must change so that everything can stay the same, says the prince's nephew as Garibaldi's rebels land in Sicily. Lampedusa writes a class watching itself end with autumnal calm and beauty.

A dead poet's 999 lines arrive wrapped in footnotes by a neighbor certain the poem is about his own lost northern kingdom. The ingenuity is total and the grief underneath is real.

Hunting gold in the South, a rich man's bored son finds his family's history instead, hidden in a song children sing. Morrison turns it into myth: an African ancestor who flew home.

Holden Caulfield is thrown out of prep school and spends three days loose in New York, telling you about it. Salinger got the voice so exact that teenage fiction has echoed it since.

Billy Pilgrim comes unstuck in time, between a Dresden meat locker during the firebombing and a zoo on another planet. Vonnegut was in that cellar, and writes "So it goes" after every death.

Pessoa invented an assistant bookkeeper in Lisbon and gave him hundreds of fragments on being alive in a rented room. Open the book anywhere and someone is already thinking your thoughts.

Turned down as a young man, Florentino Ariza waits fifty-one years for the woman he loves to be widowed. García Márquez makes old age more erotic than youth.

Marco Polo describes fifty-five cities that cannot exist to the emperor Kublai Khan, a page or two each, and every one of them is another way of describing Venice.