
War and Peace
Five families carried through Napoleon's invasion of Russia, with battle, marriage, farming, and a theory of history held in one design. You finish it knowing these people better than your own friends.

Five families carried through Napoleon's invasion of Russia, with battle, marriage, farming, and a theory of history held in one design. You finish it knowing these people better than your own friends.

An old man reads himself mad on chivalry, names himself a knight, and rides out with a farmer for a squire. Four hundred years on the book is still hilarious and still heartbreaking.

Leopold Bloom walks Dublin for one day in June 1904, and Joyce pours the whole English language into it. Bloom, advertising canvasser and cuckold, is the kindest man in fiction.

The most complete account of memory ever written. A man tastes a madeleine, and three thousand pages of remembered love, jealousy, and vanished aristocrats change permanently how you look at your own past.

Old Karamazov is murdered and each of his three sons had reason. Around the crime Dostoevsky stages the fiercest argument fiction has ever made about God and the suffering of children.

Anna leaves her husband for a young officer while, in the other half of the book, Levin farms and marries and worries about God. Tolstoy gives both lives the same total sympathy.

Raskolnikov murders a pawnbroker to prove he stands above ordinary morality, then comes apart as a magistrate circles him. It reads like a thriller and works like a confession.

American fiction has attempted nothing bigger. Ahab drags a whaling crew across the world after the whale that took his leg, and Melville keeps stopping the hunt to explain whales.

Dorothea Brooke marries a dry scholar for the wrong reasons and a gifted doctor lets small compromises close around him. Eliot knows more about how people actually fail than any English novelist.

Seven generations of one family in Macondo, where insomnia comes as a plague and the rain lasts four years. García Márquez reports the impossible as plain fact.

Elizabeth Bennet and Darcy dislike each other on sight and spend the novel being wrong. Austen wrote conversation better than anyone in English, and readers return to it their whole lives.

Emma Bovary reads romances, takes lovers, and runs up debts trying to feel something in a provincial town. Flaubert weighed every sentence, and modern fiction's idea of style begins with him.

Gatsby throws enormous parties hoping the woman he loved will wander into one. Fitzgerald made the Jazz Age America's myth of itself, and the last page is the most beautiful in American writing.

Sethe escaped slavery years ago and cannot escape the daughter she lost, who comes back to the house as a young woman. Morrison writes American history's worst chapter with unbearable tenderness.

Murasaki Shikibu, a lady at the Japanese imperial court, wrote a thousand pages about a prince, his loves, and his decline, reaching a psychological depth Europe would not manage for six hundred years.

Huck runs off down the Mississippi with Jim, who is escaping slavery, and the moment he decides he would rather go to hell than turn him in is the hinge of American fiction.

Josef K. is arrested one morning, never told the charge, and ruined by his own efforts to clear himself. Kafka made faceless authority funny, and gave the century its word for dread.

At a summer house by the sea a trip to the lighthouse keeps being postponed, and Woolf gets so close to how a mind works that years pass and grief arrives in passing.

Four sections circle one Mississippi family's ruin, and the first belongs to a brother who cannot speak or keep time in order. Faulkner makes confusion itself carry the weight of grief.

Winston Smith rewrites old newspapers so history agrees with the Party, then risks a diary and a love affair. Orwell built the machinery so exactly that reading it feels like being watched.