
Casablanca
Proof that a studio picture thrown together in a hurry can outlive everything around it: eighty years on, the lines are still in the language and the romance still lands.

Proof that a studio picture thrown together in a hurry can outlive everything around it: eighty years on, the lines are still in the language and the romance still lands.

Preston Sturges aimed the sharpest dialogue of his career at Hollywood itself: a director of hit comedies decides to make something serious about poverty, and goes looking for it in person.

Disney kept live fawns at the studio so the animators could watch them move: the backgrounds are painted like Chinese landscape scrolls, and the film trusts weather and silence where other cartoons talk.

James Cagney was known for gangsters and had started life as a hoofer: he plays George M. Cohan flat out, and improvised the dance down the White House staircase on the day.

Roosevelt had the vicar's closing speech printed on leaflets and dropped over occupied Europe: an English family absorbs the first year of the war, and America was watching very closely.

Bob Hope and Bing Crosby keep telling the audience it is only a film, and a camel gets a line: the fourth wall came down here long before anyone named it.