The only thing we have to fear is fear itself.
1933
Showing 48 works across all media from 1933

Duck Soup
The Marx Brothers at their fastest and most anarchic, and they left Paramount soon after it underperformed: the mirror sequence has been stolen by everybody in comedy since.

In Praise of Shadows
Tanizaki, a Japanese novelist, argues in earnest that the beauty of his country was made for dim rooms and wrecked by electric light. Lacquer, gold leaf, and old toilets all make his case.

King Kong
Willis O'Brien animated it a frame at a time and audiences in 1933 had never seen anything like it: the ape on that building is known to people who never watched it.

Down and Out in Paris and London
Seventeen-hour shifts in a Paris restaurant kitchen, then the tramps' road between London workhouses. Orwell went into poverty himself and came back able to describe what hunger does to a mind.

The Human Condition
A canvas on an easel shows exactly the landscape it is standing in front of, and therefore hides it completely.

Man's Fate
Shanghai, 1927: a young terrorist stands over a sleeping man with a knife, and Malraux makes the doomed communist uprising a test of what a man can give his life to.

Testament of Youth
Brittain left Oxford to nurse the wounded and lost her fiancé, her brother, and two close friends. She set down the grief of an entire generation without softening a line of it.

Stormy Weather (Ethel Waters)
Written for Cab Calloway, who missed the Cotton Club bill; Waters premiered it there in 1933 and owned it.
The stars are a free show; it don’t cost anything to use your eyes.