
C.R.E.A.M.
RZA looped a lonely piano figure from the Charmels, and Inspectah Deck's second verse became hip hop scripture.

RZA looped a lonely piano figure from the Charmels, and Inspectah Deck's second verse became hip hop scripture.

Dre's beat was offered to D12 and Rakim before 50 Cent wrote to it and held number one nine weeks.
A quarrel with her mother over money, by Holiday's own account, gave the song its title line and its steel.

Seven beats to the bar, a tape loop of coins and cash registers, and Pink Floyd's first American hit.

Foxx sang the Ray Charles hook fresh from his Oscar for playing him, and it held number one ten weeks.

Kelly Price sang the hook uncredited over Stevie J's flip of I'm Coming Out, a posthumous number one.

Hit-Boy's beat, a Blades of Glory sample, and twelve straight encores of it one night in Paris.

Herb Alpert's Rise looped into a strut, released five days before Wallace was killed, number one within weeks.

DJ Dahi slowed Beach House's guitar intro and ran it backwards, and Jay Rock's verse steals the whole record.

Coldcut took 700 pounds for the remix, added Ofra Haza, and Rakim's minute-long verse reset how rappers rhymed.

Two point one million American advance orders, and behind them a Paris hotel upright where McCartney wrote it.
A white upright piano, a bout of illness, and Britain's supertax reimagined as a lounging aristocrat pleading poverty.
Ski looped Lonnie Liston Smith under a Nas vocal, and Jay-Z made money sound like a weary confession.

Aaliyah's death in 2001 clarified what mattered, and Keys answered with piano, gospel restraint and a Grammy-winning vocal.

Motown's first hit, cut at Hitsville in 1959, with a bluesy piano vamp and a writing credit long disputed.

Cut in Aaron Dessner's Brooklyn garage, a horn part stripped out late, leaving that rolling drum pattern and Berninger's baritone.
Jim Beck offered a free demo in his Dallas studio; Frizzell's stretched phrasing became the template Haggard and Jones inherited.

West and DJ Toomp sped up Michael Jackson's P.Y.T. into a Grammy-winning glide, T-Pain's hook floating over it.