
The Sound of Silence
A folk flop until a producer secretly overdubbed electric guitars, and the duo heard their number one on the radio.

A folk flop until a producer secretly overdubbed electric guitars, and the duo heard their number one on the radio.
Byrne borrowed a preacher's cadence, Eno hummed the chorus melody, and the band looped its own jams like samplers.

A Small Clone chorus pedal gives the riff its underwater sound, and Cobain nearly withheld the single.
Named for a tour joke about people behaving badly, with Greenwood's piano circling and a delay unit eating the ending.

Ezrin sent Gilmour to the discos, and twenty-three Islington schoolchildren got forty minutes to sing themselves onto a number one.

Simon had it as Mrs. Roosevelt with nonsense syllables for a verse, and it won Record of the Year.

Radiohead cut version after version and kept the first take, glockenspiel and all, a lullaby about suburban despair.
T-Minus made the beat for Trey Songz, who passed; Lamar turned the rejected demo into a study of addiction.

Cobain aimed it at fans who missed the point, and Kerslake's video staged them on a mock Ed Sullivan Show.
Prince Paul flipped Funkadelic's Knee Deep; De La Soul resisted the beat, then got their only R&B number one.

Iovine wanted another "My Name Is," so Eminem wrote this hours before the album was due. It hit number four.

Strummer and Simonon were in the 1976 Notting Hill Carnival riot; the single ran under two minutes and reached thirty-eight.

Malkmus turned a fake band advert into a hook, and Pavement's snipe at image became their biggest hit.

A joke about radio playlists, built on Vic Juris's "Horizon Drive," and it became Gang Starr's most recognizable record.

Twelve weeks atop the modern rock chart, and Bennington turning somebody else's expectations into a chorus millions shouted back.

Musgraves wrote it with Brandy Clark and Shane McAnally, a shrug at conformity the CMAs voted Song of the Year.

Wright wrote and produced it, took it to number three R&B, and nineteen years later N.W.A sampled the groove.

Welch keeps the arrangement to two guitars, and a beauty queen decides she will do right, just not yet.

A pun on two Marys, overheard from a co-writer's mother, seeded a debut single that won a Grammy.

Charles Stone III's video walks the group through every rap-video cliche, which is exactly what the record is arguing.

Davies wrote it after seeing his sister's house on an Australian housing estate, turning suburban comfort into a cage.

Played live since 1991 and cut twice on record, it rides Boyd Tinsley's violin hook and Beauford's snare.

Judd Lander's harmonica, six weeks at number one in Britain, and Boy George singing about pleasing everybody.

Paul Epworth produced it, and Foster points the synth hook at everyone too eager to conform.

Roger Moutenot produced the album, Zach Rogue wrote every word, and a Zune advert gave this one legs.