Respect
1967 · From I Never Loved a Man the Way I Loved You
Aretha takes Otis Redding's song away from him for good, spells out the demand, and never gives it back.
★ 9.9
The Songs canon
Sourced and sung.
Every song chosen by hand, with the recording to play it.
Browse all 2,393 songs or filter by genre, subject, artist, and year.
Browse all 2,393 songs or filter by genre, subject, artist, and year.
What's Going OnMarvin Gaye
What's Going On
1971 · From What's Going On
Party chatter, a sax that sighs, and Gaye asking the question Motown begged him not to ask.
★ 9.9
A Change is Gonna ComeSam Cooke
A Change is Gonna Come
1964 · From Portrait of a Legend
Cooke wrote it after a motel turned him away, and sang it like a hymn he already knew by heart.
★ 9.7
Stand By Me
1960
That four-note bassline, a gospel hymn turned into a promise, and one of the warmest vocals ever recorded.
★ 9.4
I Heard it Through the Grapevine
1968 · From In the Groove
Motown shelved Gaye's version for over a year; it came out sounding like paranoia set to a Funk Brothers groove.
★ 9.3
I Want You Back
1969
A child singing about regret over the springiest bassline Motown ever cut, and selling it completely.
★ 9.1
My GirlThe Temptations
My Girl
1964
Smokey Robinson wrote it for his wife Claudette, then handed David Ruffin his first Temptations lead vocal.
★ 9.0
(Sittin' on) the Dock of the Bay
1968 · From The Dock of the Bay
Redding cut the vocal three days before the plane crash, and Cropper finished it into the first posthumous American number one.
★ 8.8
You've Lost That Lovin' FeelinThe Righteous Brothers
You've Lost That Lovin' Feelin
1964
Spector printed 3:05 on the label of a 3:45 record, and it became the century's most-played song on American radio.
★ 8.8
I Got You (I Feel Good)
1965 · From I Got You (I Feel Good)
Brown recycled a flop he'd cut on Yvonne Fair, added Maceo Parker's alto, and landed his highest-charting single.
★ 8.8
Try a Little Tenderness
1966 · From Complete & Unbelievable: The Otis Redding Dictionary of Soul
A 1932 Tin Pan Alley ballad, rearranged by Isaac Hayes, until Redding and Al Jackson tear the roof off.
★ 8.6
Let's Stay TogetherAl Green
Let's Stay Together
1971 · From Greatest Hits
Willie Mitchell and Al Jackson handed Green a track; he reportedly had the lyric in five minutes.
★ 8.6
Let's Get It On
1973 · From Let's Get It On
Ed Townsend conceived it as a spiritual; Gaye kept the backing track, rewrote the lyric, and Billboard number one followed.
★ 8.4
Dancing in the Street
1964
Gaye co-wrote it and cut an early version; Reeves heard block parties in it and needed two takes.
★ 8.4
I Got a Woman
1954 · From Ray Charles
Charles took a gospel record he heard on tour, swapped the subject, and cut soul music's blueprint in Atlanta.
★ 8.4
Lean On Me
1972
Withers bought a small piano, ran his fingers up the keys, and found the coal-town kinship he missed.
★ 8.3
Papa Was a Rollin' Stone
1972
Nearly four minutes of bass, hi-hat and lone trumpet before anyone sings, and the groove never sags.
★ 8.3
Suspicious MindsElvis Presley
Suspicious Minds
1969
Mark James flopped with it first, in the same Memphis studio; Moman then handed Presley his last American number one.
★ 8.2
Georgia on My Mind
1960 · From The Genius Hits the Road
Hoagy Carmichael's 1930 tune, remade as Charles's first Billboard number one and adopted as Georgia's state song in 1979.
★ 8.2
I Will Always Love You
1992 · From The Bodyguard (soundtrack)
Parton wrote it to leave Porter Wagoner; Houston opened a cappella and held the Hot 100 for fourteen weeks.
★ 8.1
The Tracks of My Tears
1965
Tarplin brought the guitar figure first, Robinson and Moore wrote words to it, and Motown got its saddest smile.
★ 8.1
People Get ReadyThe Impressions
People Get Ready
1965
Mayfield turned the gospel train of the spirituals into a civil rights hymn, and King used it to steady marchers.
★ 8.0
When a Man Loves a WomanPercy Sledge
When a Man Loves a Woman
1966
Sledge gave the writing credits away to two bandmates, and Atlantic pressed the take with the out-of-tune horns.
★ 7.9
Back to Black
2006 · From Back to Black
Ronson cut it at Daptone with the Dap-Kings, sixties girl-group machinery rebuilt around a voice in ruins.
★ 7.9
At Last
1960 · From At Last!
Riley Hampton's strings behind a 1941 film tune James took over, and the Library of Congress preserved it.
★ 7.8
Thank You
1969 · From Greatest Hits
Larry Graham slapping and popping the bass line credited with inventing the technique, and a verse quoting their own hits.
★ 7.8
The Thrill Is Gone
1969 · From Completely Well
Bert de Coteaux's twelve-piece string section, overdubbed a week later, carried King's minor-key blues onto pop radio.
★ 7.8
Theme from ShaftIsaac Hayes
Theme from Shaft
1971
Skip Pitts on wah-wah, Willie Hall riding sixteenths on hi-hat, and the first Academy Award won by a Black composer.
★ 7.8
Living for the CItyStevie Wonder
Living for the CIty
1973 · From Innervisions
Wonder played most of it himself, then broke it open with a spoken street scene running past seven minutes.
★ 7.8
Rehab
2006 · From Back to Black
Cut live to tape at Daptone in Brooklyn with the Dap-Kings, and it took Record and Song of the Year.
★ 7.8
Reach Out, I'll Be There
1965
Holland-Dozier-Holland pitched Stubbs at the very top of his range, and Paul Riser opened it with piccolo and flute.
★ 7.8
Ain't No SunshineBill Withers
Ain't No Sunshine
1971
Withers was building airplane toilets when he cut this, and he left the unfinished bridge as twenty-six repeats.
★ 7.8
Killing Me Softly With His Song (Roberta Flack)
1973
Flack heard Lori Lieberman's version on a plane's in-flight audio, rewrote the chords, and took Record of the Year.
★ 7.8
Sexual Healing
1982 · From Midnight Love
Gaye programmed the TR-808 himself in a Belgian studio, and it finally won him the first Grammys of his career.
★ 7.8
In the Midnight Hour
1965
Jerry Wexler danced the Jerk across the Stax floor until the band pushed the backbeat onto beat two.
★ 7.8
You Send MeSam Cooke
You Send Me
1957 · From Sam Cooke
Cooke credited it to his brother L.C. to dodge his publisher, then carried it to number one on both charts.
★ 7.8
Doo-wop (That Thing)
1998 · From The Miseducation of Lauryn Hill
Hill wrote and produced it herself, aimed one verse at women and one at men, and debuted at number one.
★ 7.8
Green Onions
1962
Seventeen years old, filling a Sunday when the booked singer's session collapsed, Jones cut the Hammond vamp that defined Stax.
★ 7.7
It's a Man's Man's Man's World
1966 · From It's a Man's Man's Man's World
Betty Jean Newsome shares the credit and later claimed all of it; Sammy Lowe's strings carry Brown's most exposed vocal.
★ 7.7
I Can't Help Myself (Sugar Pie Honey Bunch)
1965
Dozier lifted the title from his grandfather flirting in a beauty shop, and Stubbs sings it like a plea.
★ 7.7