(I Can't Get No) SatisfactionThe Rolling Stones
(I Can't Get No) Satisfaction
1965 · From Out of Our Heads
Keith dreamt the fuzz riff, taped it half-asleep, and woke up holding the sound of teenage frustration.
★ 9.8
The Songs canon
Sourced and sung.
Every song chosen by hand, with the recording to play it.
Browse all 2,393 songs or filter by genre, subject, artist, and year.
Browse all 2,393 songs or filter by genre, subject, artist, and year.
Johnny B. GoodeChuck Berry
Johnny B. Goode
1958 · From Chuck Berry Is on Top
Chuck Berry's intro lick is rock's opening statement, a country boy's origin myth now drifting past the solar system.
★ 9.8
Heartbreak HotelElvis Presley
Heartbreak Hotel
1956
Elvis's first RCA single, all cavernous echo and empty rooms, the loneliest number one ever cut.
★ 9.6
Tutti-Frutti
1955 · From Here's Little Richard
A nonsense holler cleaned up just enough to press, and the moment rock and roll stopped asking permission.
★ 9.5
Hound Dog
1956
Leiber and Stoller wrote it for Big Mama Thornton; Elvis took it, sped it up, and set it on fire.
★ 9.5
What'd I SayRay Charles
What'd I Say
1959 · From What'd I Say
Twelve minutes left at a Pennsylvania dance, so Charles improvised it on his Wurlitzer and many stations banned it.
★ 9.0
I Walk the Line
1956 · From Johnny Cash with His Hot and Blue Guitar
Cash slipped paper under his guitar strings for that snare tick, and hums to find each new key.
★ 8.8
(We're Gonna) Rock Around the Clock
1954
Cut in leftover studio minutes with Sammy Davis Jr. waiting outside, it flopped until Blackboard Jungle put it under the credits.
★ 8.8
She Loves YouThe Beatles
She Loves You
1963 · From The Beatles' Second Album
Lennon and McCartney started it on a tour bus after a Newcastle show; Martin thought the sixth-chord ending corny.
★ 8.8
That's Alright MamaElvis Presley
That's Alright Mama
1954 · From The Sun Sessions
Presley started clowning through an Arthur Crudup blues on a break; Sam Phillips heard it and rolled tape.
★ 8.6
Ring of Fire
1963 · From Ring of Fire: The Best of Johnny Cash
Anita Carter cut it first, her sister June wrote it with Merle Kilgore, and Cash added the mariachi trumpets.
★ 8.6
Maybellene
1955 · From Chuck Berry Is on Top
Ida Red, a 1938 Bob Wills fiddle tune, turned into a car chase, with Johnnie Johnson's piano running underneath.
★ 8.4
Jailhouse Rock
1957
Leiber and Stoller wrote it as a goof; Scotty Moore's solo nearly derails the take and Presley never blinks.
★ 8.3
Don't Be Cruel
1956
Blackwell gave Presley half the writing credit; the Jordanaires hum behind a vocal so relaxed it barely seems to try.
★ 8.2
That'll Be the DayBuddy Holly and the Crickets
That'll Be the Day
1957
Holly took the title from a John Wayne line and recut it in Clovis after Decca shelved the first version.
★ 8.2
Long Tall Sally
1956 · From Here's Little Richard
Blackwell built the lyric to run too fast for Pat Boone, and Richard shouted it out at Cosimo Matassa's J&M.
★ 7.8
Whole Lotta Shakin' Goin' On
1957
One microphone, Roland Janes muted behind the boogie piano, and a July 1957 television debut that turned it national.
★ 7.7
Peggy SueBuddy Holly and the Crickets
Peggy Sue
1957
Cut in Clovis as "Cindy Lou" until Allison's girlfriend got the title, and his paradiddles never let up.
★ 7.7
Roll Over Beethoven
1956 · From Chuck Berry Is on Top
His sister Lucy monopolized the family piano for classical, so Berry wrote his rebuttal, with Johnnie Johnson answering back.
★ 7.7
Great Balls of Fire
1957
Lewis argued theology with Sam Phillips between takes at Sun, decided the devil could wait, and cut it anyway.
★ 7.7
Twist and Shout
1964 · From Please Please Me
Last song of a twelve-hour day, Lennon's throat gone, one usable take, and the Beatles' only million-selling cover.
★ 7.7
Blueberry Hill
1956
Nobody in the room had the lyrics, so Bunny Robyn spliced three broken takes into Domino's biggest hit.
★ 7.6
La Bamba (Ritchie Valens)
1958
Cut as the B-side of Donna, a Veracruz son jarocho with Carol Kaye on rhythm and Earl Palmer driving.
★ 7.6
Chain of Fools
1967 · From Lady Soul
Joe South's tremolo guitar opens it, Don Covay wrote it young while singing gospel, and Franklin turns it merciless.
★ 7.5
Shout (The Isley Brothers)
1959
Ronald Isley improvised the call and response onstage extending Lonely Teardrops, and RCA packed the room with friends answering.
★ 7.5
Rocket 88
1951
Kizart's amp fell off the car, Phillips stuffed the blown cone with paper, and distorted guitar entered the language.
★ 7.5
Ain't That a Shame
1955
Bartholomew and Domino wrote it, Pat Boone's cover took the number one, and Domino's rolling piano triplets outlasted it.
★ 7.5
Only the Lonely
1960
Orbison meant it for Elvis; the Everly Brothers told him to keep it, and Nashville's A-Team built the ache.
★ 7.5
Good Golly, Miss Molly
1958 · From Little Richard
Little Richard lifted the piano intro straight off Rocket 88, and Earl Palmer's drums do the rest.
★ 7.4
Wake Up Little SusieThe Everly Brothers
Wake Up Little Susie
1957
Felice and Boudleaux Bryant's plot is an alibi, Boston banned it as suggestive, and it still topped the pop chart.
★ 7.4
Why Do Fools Fall In Love
1956
Herman Santiago built it from a neighbor's love letters; Lymon, thirteen, took the lead and the credit fight ran decades.
★ 7.3
All Shook Up
1957
A shaken Pepsi bottle gave Blackwell the title, and Presley's version held number one for two solid months.
★ 7.3
I'm a ManBo Diddley
I'm a Man
1955 · From Bo Diddley
One chord cut at Chess in March 1955, and Muddy Waters answered it with Mannish Boy by May.
★ 7.3
In Dreams
1963
Seven sections in under three minutes, no chorus repeated, and a melody Orbison said arrived while half asleep.
★ 7.1
Bye Bye Love
1957
Some thirty acts turned the Bryants' song down; Don Everly's intro, written for something else, took it to number two.
★ 7.1
Not Fade AwayBuddy Holly and the Crickets
Not Fade Away
1957
Jerry Allison pounded the beat out on a cardboard box, and a B-side that never charted outlived nearly everything.
★ 7.1
Please Please MeThe Beatles
Please Please Me
1963 · From Please Please Me
Eighteen takes in one November session, a Lennon ballad sped up, and Martin calling their first number one.
★ 7.0
Shake, Rattle & Roll
1954
Jesse Stone wrote it under a pen name, Atlantic cut it in February 1954, and Turner topped the R&B chart.
★ 6.9
Sweet Little Sixteen
1958 · From One Dozen Berrys
Lafayette Leake's piano, Willie Dixon's bass, and a melody Brian Wilson borrowed so closely he lost the copyright.
★ 6.9
Everyday
1957
A celesta played by the producer's wife, Jerry Allison slapping his knees for drums, and two minutes of pure lift.
★ 6.9