
Mona Lisas and Mad Hatters
Taupin's first New York, gunfire outside the hotel window, a rose borrowed from Spanish Harlem, all cut in France.

Taupin's first New York, gunfire outside the hotel window, a rose borrowed from Spanish Harlem, all cut in France.
Two songwriters homesick in London started it; Keys and a Moments piano loop made Jay-Z's first lead-artist number one.

De Niro called the first theme too weak, so Kander and Ebb wrote this one in anger.
Recorded in Hollywood with Cale on piano, the rhythm pushing like a subway train under Reed's flat delivery.

Two years in the making, with MacColl finally singing the woman's part, and it still stalled at number two.

Herbie Flowers doubled upright and electric bass for a session fee, and Bowie's old sax teacher played the closing solo.

Premier built the beat on the spot; Nas nailed verse one in a take, muttering doubt into the intro.