
I Melt With You
Producer Hugh Jones talked Grey out of shouting, and the nuclear-apocalypse lyric arrives as the warmest chorus of 1982.

Producer Hugh Jones talked Grey out of shouting, and the nuclear-apocalypse lyric arrives as the warmest chorus of 1982.
Two days on a dance version, scrapped for synth pads and a Cold War fear of growing old.

A dream about a party where every guest had Lenny Bruce's initials, sped into Document's headlong disaster list.
Piano and Bill Peterson's flugelhorn, cut at Young's Topanga home studio, written for a Dean Stockwell screenplay.

Fogerty wrote it after a hurricane scene in a 1941 film, then set the apocalypse to a cheerful rockabilly stomp.

Simone learned it at her mother's revival meetings and stretched it past ten minutes of piano vamp and handclaps.

A Leslie speaker gives the guitars their swirl, and Cornell built the title from a misheard news broadcast.
Osbourne heard Iommi's riff and called it a big iron bloke walking; Butler built the science fiction around that.

Strummer borrowing the BBC's wartime call sign to announce the end of the world, and sounding thrilled about it.

Hendrix took Dylan's parable and lit it, and Dylan has played it Hendrix's way ever since.
Merry Clayton's voice cracking on "murder" is the sound of the sixties ending, mid-take, in one syllable.