
Up Against the Wall
Seven minutes long, never a single, self-produced by the trio, and the longest slow burn on Writer's Block.

Seven minutes long, never a single, self-produced by the trio, and the longest slow burn on Writer's Block.

The last number one of the eighties and the first of the nineties, with David Crosby singing behind Collins.

Named for a 1920s pole-sitting fad, cut in Seattle in 1996, and now inseparable from Peep Show's opening titles.

Sounwave's woozy loop, Ab-Soul in the margins, and Lamar naming a generation's numbness on his debut album.

A slow descending riff, Armstrong's insomnia, and a segue into Jaded that welded the two songs together permanently.

Koenig found the punctuation via a Columbia Facebook group, then wrote a song about not caring at all.

Matlock's riff, lifted off ABBA's "SOS", and the sound of a generation deciding not to care.

A dream about a party where every guest had Lenny Bruce's initials, sped into Document's headlong disaster list.

Gentry's demo vocal was kept, Jimmie Haskell added four violins and two cellos, and the intended B-side became the A-side hit.

Albarn built it on a melodica and an Omnichord's first preset; Del cut his verses in half an hour.

Six and a half hours in Stephenson's house, a slide guitar loop, and a hook mocking Beck's own rapping.

Built on the bones of Tom Petty's American Girl, which Petty confirmed without complaint, and recorded in Gordon Raphael's basement.
Harrison opened a book at random, saw "gently weeps", and Clapton came in uncredited to play the solo.

Four chords, a mumble nobody could decipher, and the riff that ended one decade of rock and started another.