
E.T.
Dr. Luke and Max Martin built the dubstep stomp at Conway; West's verses took it to number one.

Dr. Luke and Max Martin built the dubstep stomp at Conway; West's verses took it to number one.

Flux Pavilion's dubstep drop rebuilt into a rap victory lap, cut at the Mercer Hotel with Jay-Z trading verses.

Recorded in Honolulu for 808s & Heartbreak with Jeff Bhasker co-producing, Auto-Tune propping up bravado that keeps slipping.

An old dancehall toast opens it, the beat switches mid-song, and 2 Chainz walks off with the whole posse cut.

A Ponderosa Twins Plus One loop, Charlie Wilson singing the bridge, and Yeezus ending on chipmunk soul.

West and DJ Toomp sped up Michael Jackson's P.Y.T. into a Grammy-winning glide, T-Pain's hook floating over it.
Projected onto sixty-six buildings worldwide before anyone had heard it, with Frank Ocean closing over a Hungarian prog sample.
Nina Simone's 1965 Strange Fruit against TNGHT's blaring horns, a breakup rendered enormous; platinum without ever being a single.

Taiko drums against an 808 heartbeat, Auto-Tune everywhere, and a version West scrapped and recut after the fan backlash.

DJ Toomp built the beat and bassline, West layered the strings, and Zach Galifianakis lip-synced it on a tractor.

Denied the Lauryn Hill sample, West had Syleena Johnson sing the part, and got his first solo top ten.

Rihanna sings the hook, Elton John plays piano, and West spent two years stacking fourteen singers behind the horns.

Auto-Tune, a TR-808, No I.D. co-producing, and Kid Cudi writing the hook: rap learned to sing from this.

Hit-Boy's beat, a Blades of Glory sample, and twelve straight encores of it one night in Paris.

Foxx sang the Ray Charles hook fresh from his Oscar for playing him, and it held number one ten weeks.

West cleared the Daft Punk sample through their manager, had Timbaland reprogram the kick drums, and hit number one.

A marching ARC Choir sample, Rhymefest's co-write, and a label convinced nobody would play a rap record about God.