
Beer In Mexico
Chesney wrote it alone in Cabo San Lucas at Sammy Hagar's birthday party, and it topped the country chart.

Chesney wrote it alone in Cabo San Lucas at Sammy Hagar's birthday party, and it topped the country chart.

Two days was all Petty and Lynne needed; Mayer's acoustic version, taped at the Nokia Theatre, became a single itself.

Mike Love's chorus of island names over Ry Cooder's guitar, and the Beach Boys' first number one in twenty-two years.

Cut at Starstruck in Nashville with John Shanks playing most of it, sunshine offered as an escape hatch.

Scott Litt produced it at NRG, and Boyd wrote the lyric amid two deaths and a collapsing relationship.

Phillips wrote it after a trip to Orcas Island, keeping the placeholder lyrics because nothing he tried afterward worked better.

Richard Linklater put it in Boyhood and its trailer, and the Keefe brothers' harmony now sounds like growing up.

Jason McGerr shaped the drums after the Purdie Shuffle, and Gibbard turned the 2007 California wildfires into something almost calm.

Chynna Phillips drew the words from AA's one-day-at-a-time, Glen Ballard produced, and it topped Billboard's 1990 year-end chart.

Piano, upright bass, a drum machine, and McLachlan writing about a Smashing Pumpkins keyboardist's overdose with startling tenderness.
Scalzo read about an elderly Texas couple who drove off and never came back, then wrote them a happier ending.

Taupin and Martin Page wrote it, Nancy Wilson sang lead through a cold, and Heart got their first number one.
Bryan Dobbs looped Lakeside's 1980 hit, and Coolio rode it to number three dreaming of somewhere trouble-free.

Kravitz stumbled on the riff testing an amplifier, nearly buried it as a B-side, and won a Grammy instead.

Jakob Dylan wrote it at a Los Angeles kitchen table, then watched it top all three Billboard rock airplay charts.
Tamborello mailed beats from Los Angeles; Gibbard answered with a dream he would rather not wake from.
A ten-note synth riff cut at Sound 80 in Minneapolis, Cynthia Johnson vocoded then unleashed at full wail.

Baldry talked Elton out of a wedding in 1968, and Taupin wrote him into the chorus as Sugar Bear.
Mann and Weil wrote it about Gerry Goffin's drug problems, by Mann's account; the Raiders took it to number four.

Martie Seidel lifted the title from a Calgon commercial, then wrote the rest about her sister's new romance.