
Puttin' On the Ritz
Berlin wrote it in 1927; Taco's synth version made him, at ninety-five, the oldest living songwriter in the top ten.

Berlin wrote it in 1927; Taco's synth version made him, at ninety-five, the oldest living songwriter in the top ten.

Maurice Starr wrote and produced it, Jordan Knight and Donnie Wahlberg took the leads, and Britain crowned it a year later.

Written for Gwen Stefani, who passed, then offered to Nicole Scherzinger before Snow Patrol reclaimed it with Jacknife Lee.

Trace Cyrus, Billy Ray's adopted son, and Mason Musso built a synth hook that went double platinum.

Fraser T Smith produced a UK number one; Mercury then added Ludacris and it leapt to the American top spot.

One YouTube link from his manager gave Young the voice he wanted, and a top-ten summer duet.

Written in a garden shed at Farrington's father's house, stalled at fifty-eight in Britain, then Napoleon Dynamite happened.

Every major label passed, then a copy reached the Netherlands, came back as Peter Slaghuis's Dutch Mix, and charted top three.
Nick Rhodes of Duran Duran co-produced it, and Limahl rode the hook to two weeks at UK number one.

Recorded on cheap gear in a college dorm room, co-written with Big Sean, and a number six hit.

Roddick emailed tracks from Montreal to James in Halifax, and the album took its title from this song's lyric.

Wilde rebuilt the Holland-Dozier-Holland original as hi-NRG and became the second act to take it to number one.

Jan Hammer cut it once the series was picked up, then two Grammys and a Hot 100 number one.

Parker had days to write it and found the hook in a late-night TV ad for a local service.

An Oscar nominee from the Footloose soundtrack, George Duke producing, and Williams audibly grinning through every chorus.

Trumpet hook lifted from the Yiddish standard Dona Dona, and two and a half years later, number eight.

A slasher-film joke rewritten on Phil Ramone's orders into Flashdance's training montage, and two weeks at number one.