
She Ain't You
Built on SWV's Right Here and Michael Jackson's Human Nature, Brown sighing over an ex from inside a new relationship.

Built on SWV's Right Here and Michael Jackson's Human Nature, Brown sighing over an ex from inside a new relationship.

Troy Taylor cut it at D2 in Atlanta, and Songz's birthday toast climbed to number nine, then double platinum.

Coogi paid the entire million-dollar bill for the Miami video, and Detail's beat still outshines it.
Seventy-eight seconds of Da Internz production, cut in a Copenhagen hotel room, that leaked and made the album by demand.

Maurice Starr wrote and produced it, Jordan Knight and Donnie Wahlberg took the leads, and Britain crowned it a year later.

Fraser T Smith produced a UK number one; Mercury then added Ludacris and it leapt to the American top spot.

T-Pain's Auto-Tune, a yacht in Biscayne Bay, and a Grammy nomination for a Digital Short.

R. Kelly wrote and produced it, Diddy guested, and B2K got their only week at number one.

Vocoder all over an R&B ballad in 2001, years before the effect took over pop radio; the Haileys wrote it.

A Shalamar interpolation, six weeks atop Rhythmic Airplay, and only JC Chasez singing despite the full NSYNC credit.

Twenty-three weeks of climbing before it peaked at number four, riding a Mick Schultz beat built for last call.

Sean Kingston's team turned it down, so Iyaz took it to number one in Britain and number two at home.

Heavy D and Poke and Tone looped the Gap Band's "Outstanding," and the eldest brother took the lead vocal.

Richard Marx wrote it for a girl group, rewrote the harmonies for five men, and topped adult contemporary thirteen weeks.
Gibson wrote it in 1984, Fred Zarr produced, Louie Vega mixed, and she was sixteen at its release.

Pop and Oak's glossy production, an Ester Dean co-write, and Nas cast as the love interest in Benny Boom's video.

A Beverly Hills, 90210 soundtrack cut that spent three weeks atop adult contemporary and gave McKnight his breakthrough.

By Sean's account Kanye handed over the beat with Roscoe Dash's hook already attached, and the whole thing purrs.

Wayne named Tupac's "Keep Ya Head Up" as his model, then sang it over acoustic guitar into the top five.

Loso's Way yielded exactly one charting single, produced by The-Dream and Tricky Stewart, peaking at number fourteen.

Polow da Don and Sean Garrett built it on Middle Eastern percussion, and Snoop Dogg turned up for the single.

J.R. Rotem looped Imogen Heap's Hide and Seek under a debut single, and Derulo had a number one within months.

Writer's block became the subject; Bedingfield turned her failure to finish a love song into a UK number one.

Ne-Yo and Chuck Harmony built it on a Just the Two of Us sample; Kahn's video parades a century of divas.

Rich played almost every instrument on it himself in an Atlanta studio, then sang the heartbreak like a secret.

Nicholas cut it from Joe's 1997 album over label meddling, then pulled it off the shelf for The Wood.

J.T. Taylor's lead vocal, six weeks atop adult contemporary, and a ballad that never left the wedding playlist.

Nic Nac's beat borrows from "Money Ain't a Thang," and three regional versions carried it thirty-six weeks on the chart.

All six members, Bobby Brown included, on one album, with Tresvant and Bell trading a Jam and Lewis ballad.

Babyface hummed a placeholder where the words should go, kept it, and watched the record debut at number one.

A deliberate Euro-club record from Akon and Giorgio Tuinfort, with a video now past a billion views.

T-Pain wrote and produced it at Chalice in Los Angeles, and it held number one for three weeks.

Sparks became the first American Idol alum past three million US sales, and the duet earned a Grammy nomination.

One week of downloads lifted it from sixty-six to three, a Hot 100 record, with JoJo just fifteen.

Bruce Dukov's violin line, modelled on Wes Montgomery's Eleanor Rigby, over a track first built for Michael Jackson.