
Perfect Strangers
Stowe, Vermont, a mobile studio, the Mark II lineup back after eleven years, and Lord's organ doing the heavy lifting.

Stowe, Vermont, a mobile studio, the Mark II lineup back after eleven years, and Lord's organ doing the heavy lifting.

Three writers bouncing riffs between cassettes in a Hollywood apartment, and Milton Berle in the video that broke them.

Snider hung the melody on "O Come, All Ye Faithful," and the PMRC filed it under filth anyway.

Ezrin cut an eight-minute jam down to three, and John Lydon mimed along to it to join the Sex Pistols.

Three sounds in that intro: Hamilton's bass riff, Perry's talk box, a bass marimba. Aerosmith's first Top 40 single.

Buxton's riff, a children's chorus, a school bell fade; Cooper wanted the last three minutes of term on tape.

Slash's solo grew from an improvisation, Rose had chased the song since 1986, and nine minutes went top three.
Three chords, sleigh bells, and Cale leaning on a single piano note throughout. Punk starts here.

Written in a rental van home from San Francisco, and the final two minutes simply double the tempo.
Blackmore's four notes in parallel fourths, written after a flare gun burned the Montreux Casino down during a Zappa show.
Osbourne heard Iommi's riff and called it a big iron bloke walking; Butler built the science fiction around that.
Called Walpurgis until the label balked at the witchcraft, and Butler aimed the lyric at politicians who start wars.

Hammett built the riff after Soundgarden's Louder Than Love, and Bob Rock sent Hetfield back to write a child's nightmare.

Slash's riff, McKagan's breakdown recycled from his old punk band, and roughly three hours from nothing to finished song.
Iommi's riff arrived as three-minute filler for the album, Butler wrote the words fast, and Sabbath had their biggest UK hit.