
Life is a Highway (Tom Cochrane)
A Red Rider demo called "Love Is a Highway", revived after Cochrane's World Vision trip to eastern Africa.

A Red Rider demo called "Love Is a Highway", revived after Cochrane's World Vision trip to eastern Africa.

Rucker flipped the genders when he wrote it; by his account the addiction in the song was his own.

Written in the laundry room of Mellencamp's old house, it makes Indiana sound like enough for one life.

Four chords, F, C, A minor, G, looping unchanged while Petty and Jeff Lynne make uplift sound effortless.

Petty and Jeff Lynne wrote Eddie's rise and fall as one unbroken story; Johnny Depp played him on screen.

Rubin produced, Petty blew the harmonica, and MTV solved one lyric by simply running the word backwards.

Mellencamp waved at a man sitting outside a pink shotgun house near the highway, and wrote America's most misread chorus.
Cut live at Merriweather Post Pavilion, 1977, David Lindley's lap steel riding a song Browne wrote on his commute.

Three generations of moonshine, Vietnam and the drug trade, named an official Tennessee state song in 2023.
A lyric lifted from "Lovey Dovey", a misheard doo-wop coinage, and a Levi's ad that made it Britain's number one.

Mike Campbell's fuzz riff, then a closing solo of nearly two minutes he nailed in a single take.

Originally called Indiana Girl, until Petty decided he couldn't sing that line; Stan Lynch's last sessions with the Heartbreakers.

Harrison on acoustic guitar and harmonies, Lynne producing, and Petty answering the arsonist who burned his house down.

Mick Ronson suggested the baby rattles and sang the "let it rock" hook; the handclaps were only a guide track.

Sampedro joked about the free world after a Soviet tour collapsed, and Young debuted the song in Seattle unrehearsed.

Petty cut it on the Fourth of July, 1976, and Roger McGuinn heard the Byrds so clearly he covered it.

Two days of writing with Jeff Lynne, Mike Campbell's twelve-string, and Ventura Boulevard turned into the whole San Fernando Valley.

Take four, April 1982, a Yamaha synth from Roy Bittan, and the most misheard chorus in American rock.
Months of wall-of-sound overdubs poured into one getaway car, and every word still sounds like escape.