
Holding On For Life
Mercer tried a falsetto in the booth, doubled the take, and Broken Bells arrived sounding like the Bee Gees.

Mercer tried a falsetto in the booth, doubled the take, and Broken Bells arrived sounding like the Bee Gees.

Stewart heard Jorge Ben's Taj Mahal at Rio Carnival, absorbed the melody unwittingly, and signed the royalties over to UNICEF.
Ann Orson and Carte Blanche on the credits, a Motown duet pastiche that held British number one for six weeks.

Breakbot got a songwriting credit after the fact, and Mars turned late-seventies disco into a top-five American hit.
A ten-note synth riff cut at Sound 80 in Minneapolis, Cynthia Johnson vocoded then unleashed at full wail.
Number one in January 1976, and the murder rumor attached to that shriek was only Billy Beck reaching high.

Rodgers and Edwards wrote the groove, Ross remixed the album to lift her vocal, and it topped the Hot 100.

A guitar solo recorded slow and played back at double speed opens KC's first American number one.

A vocoder over a Strokes drawl: Casablancas welded two Daft Punk demos together and sang about a chance he missed.

Justice built it from Michael Jackson song titles and handed the chorus to a London children's choir.

Maurice White and Al McKay wrote it, Earth Wind and Fire's rhythm section played it, and the Hutchinson sisters soared.

Casey and Finch's call-and-response chant for TK in Hialeah topped the Hot 100 in two separate runs.

Gaudio first wrote it about Prohibition's repeal, then Judy Parker rewrote the lyric and drummer Gerry Polci sang lead.

Ulvaeus chanted "tck-a-ch" to pace his jogging; it became the a cappella hook on ABBA's seventh UK number one.

Drummer Walter Orange stepped out front, LaPread's bass line did the rest, and funk got a permanent floor-filler.

Jabara reportedly locked Summer in a hotel bathroom with a cassette until she agreed; it won the Academy Award.

Jimmy Ellis over eleven minutes of Philadelphia rhythm, a flop in 1976 until Saturday Night Fever made it a hit.

Four-on-the-floor from a Billy Preston jam, harmonica by Sugar Blue, found busking in Paris, and their last American number one.

Moroder's four-on-the-floor, Jeff Baxter's rock guitar solo bolted on, and the first female rock vocal Grammy.