The Movies canon

Sourced and screened.

Every film chosen by hand and annotated for why it matters.
Browse all 731 films or filter by genre, director, place, and year.

Goodfellas

Directed by Martin Scorsese
1990

Every gangster film of the last thirty years is arguing with this one: Scorsese made the life so intoxicating for an hour that the comedown lands like a physical event.

★ 9.6

Taxi Driver

Directed by Martin Scorsese
1976

Travis Bickle escaped the picture and entered the language: Scorsese and De Niro made a lonely man's interior so exact that it stopped being about one man at all.

★ 9.6

Raging Bull

Directed by Martin Scorsese
1980

Scorsese shot boxing as penance rather than sport, and audiences come out feeling bruised: De Niro's jealousy destroys everyone near him, in the blackest black and white imaginable.

★ 9.6

The Departed

Directed by Martin Scorsese
2006

Scorsese remade a Hong Kong thriller and made it entirely his own: a cop inside the mob, a mobster inside the police, and a pitch that never once relaxes.

★ 8.2

Mean Streets

Directed by Martin Scorsese
1973

Scorsese found his whole method here at thirty: Little Italy, Catholic guilt, a handheld camera and a jukebox that never stops, most of it shot in Los Angeles.

★ 7.3

Casino

Directed by Martin Scorsese
1995

Scorsese's Las Vegas is a machine for taking money and the film shows you every gear: three hours of narration, costumes and a system that eats everyone inside it.

★ 6.8

Hugo

Directed by Martin Scorsese
2011

Scorsese made a children's film in 3D to argue for film preservation: an orphan living inside a Paris railway station keeps a broken automaton his father left him, and the station watches him.

★ 5.5

The Last Temptation of Christ

Directed by Martin Scorsese
1988

A Paris cinema showing it was firebombed and Scorsese needed years to get it financed: Christ imagined as someone who could refuse, with Peter Gabriel's score sounding like the actual Middle East.

★ 5.3

The Color of Money

Directed by Martin Scorsese
1986

Paul Newman got his Oscar twenty-five years late, for playing the same character a second time: Scorsese films pool halls like boxing rings, and Tom Cruise is the new hustler.

★ 4.1