The Movies canon

Sourced and screened.

Every film chosen by hand and annotated for why it matters.
Browse all 731 films or filter by genre, director, place, and year.

Seven Samurai

Directed by Akira Kurosawa
1954 · Japan

Every film about assembling a team for one last job descends from this one: Kurosawa makes seven men matter, then stages a battle in the mud nobody has equaled.

★ 9.9

Tokyo Story

Directed by Yasujiro Ozu
1953 · Japan

The quiet masterpiece of ordinary life: Ozu finds the ache of a whole century in parents visiting children who have no time for them, and it will find you too.

★ 9.8

Spirited Away

Directed by Hayao Miyazaki
2001 · Japan

The high point of hand-drawn animation: Miyazaki invented a spirit world so dense and so unexplained that it took the Animated Feature Oscar away from every American studio.

★ 9.3

Rashomon

Directed by Akira Kurosawa
1950 · Japan

Kurosawa gave the language a word for irreconcilable testimony and opened Japanese cinema to the world: four accounts of one killing, none of which can be squared with another.

★ 9.1

Parasite

Directed by Bong Joon-ho
2019

The first film not in English to win Best Picture: Bong turned class rage into something so entertaining that the whole world watched it and then argued about what it meant.

★ 8.9

Ran

Directed by Akira Kurosawa
1985 · Japan

Kurosawa was seventy-five and his eyesight was failing when he made it: King Lear moved to feudal Japan, with a great battle that plays to music and nothing else.

★ 8.7

Late Spring

Directed by Yasujiro Ozu
1949

Ozu made the same film over and over and this is the most perfect version: a daughter who will not marry, a father who will not say what he wants, and one vase.

★ 8.6

Ikiru

Directed by Akira Kurosawa
1952 · Japan

Kurosawa's answer to how a life should be spent: a bureaucrat gets one piece of terrible news and starts spending what is left deliberately, which will change how you see your job.

★ 8.5

Yi Yi

Directed by Edward Yang
2000

Nothing else captures an ordinary family like this: Yang holds three generations of a Taipei household in one frame, and the small boy photographing people's backs explains the whole method.

★ 8.4

Yojimbo

Directed by Akira Kurosawa
1961 · Japan

Leone took it wholesale for A Fistful of Dollars and Toho forced a settlement out of court: Kurosawa's samurai playing two gangs against each other is the template everyone still uses.

★ 8.4

Grave of the Fireflies

Directed by Isao Takahata
1988 · Japan

Nobody recommends this one lightly: Takahata put two children through the last months of the war in Japan, and being animated makes it harder to bear, not easier.

★ 8.4

Full Metal Jacket

Directed by Stanley Kubrick
1987

The first half is the most quoted boot camp ever filmed: Kubrick found a real Marine drill instructor, let him write half his own material, and made basic training terrifying.

★ 8.3

My Neighbor Totoro

Directed by Hayao Miyazaki
1988 · Japan

Children's films almost never dare to have no villain: Miyazaki made eighty minutes of pure safety out of two sisters and a forest spirit, and it became Ghibli's emblem.

★ 8.2

Harakiri

Directed by Masaki Kobayashi
1962

Kobayashi took the samurai film apart from the inside: an old warrior asks to die in a lord's courtyard, and what he says first dismantles the entire code of honor.

★ 8.2

Ugetsu

Directed by Kenji Mizoguchi
1953

Mizoguchi's ghost story is the one other directors mention when asked what changed them: two peasants chase money through a civil war, and the crossing through fog is unearthly.

★ 8.2

Princess Mononoke

Directed by Hayao Miyazaki
1997 · Japan

It held the Japanese box office record until Titanic arrived: Miyazaki staged a war between an iron town and the forest gods and refused to name a villain.

★ 8.0

Platoon

Directed by Oliver Stone
1986

Oliver Stone served in Vietnam and made this to correct everyone else's version: no glamour, no clarity, and a platoon that splits between two sergeants and stays split.

★ 7.3

Jiro Dreams of Sushi

Directed by David Gelb
2011

It will alter how you think about doing one thing for an entire lifetime: an eighty-five-year-old sushi master in a Tokyo subway station, still not satisfied with himself.

★ 7.0

Letters from Iwo Jima

Directed by Clint Eastwood
2006

Eastwood made two films about the same battle, and the Japanese one is the better: shot almost entirely in Japanese, with a general nobody in America had heard of.

★ 6.9

MASH

Directed by Robert Altman
1970

Altman's overlapping dialogue turns up fully formed: army surgeons in Korea behave appallingly in order to stay sane, and the film was really about Vietnam all along.

★ 6.8

The Wind Rises

Directed by Hayao Miyazaki
2013 · Japan

Miyazaki announced his retirement with it, a retirement he later took back: a young man designs beautiful aircraft that become weapons, and nothing about that is resolved.

★ 6.8

The Killer

Directed by John Woo
1989 · Hong Kong

Woo shoots gunfights the way other directors shoot musical numbers: two pistols, slow motion, doves, and underneath it a straight-faced story about honor between a hitman and the cop hunting him.

★ 6.8

Throne of Blood

Directed by Akira Kurosawa
1957 · Japan

Shakespeare's Macbeth moved to sixteenth-century Japan with every line of the poetry gone: Kurosawa substitutes fog, Noh masks worn as faces, and a forest that seems to be watching the castle.

★ 6.8

Hero

Directed by Zhang Yimou
2002 · China

Zhang Yimou shot each retelling of one assassination attempt in a different color: Christopher Doyle's photography is so beautiful that the film's politics start an argument every single time.

★ 6.7

Howl's Moving Castle

Directed by Hayao Miyazaki
2004 · Japan

Miyazaki's most beautiful machine is a walking house held together by magic and bad temper: underneath the wonder is an angry anti-war film, made while he watched the invasion of Iraq.

★ 6.6

The Hidden Fortress

Directed by Akira Kurosawa
1958 · Japan

Lucas took the two bickering peasants and turned them into R2-D2 and C-3PO: Kurosawa's first widescreen film tells an escape story from the point of view of its most useless characters.

★ 6.5

Infernal Affairs

Directed by Andrew Lau and Alan Mak
2002 · Hong Kong

Scorsese's The Departed is a remake of this, and the Hong Kong original is fifty minutes tighter: two moles assigned to find each other, and a plot that never stops to explain itself.

★ 6.5

A Better Tomorrow

Directed by John Woo
1986 · Hong Kong

It made Chow Yun-fat a superstar and started an entire Hong Kong genre: two brothers on opposite sides of the law, and a gunman in a trenchcoat lighting a cigarette with money.

★ 5.7

Ip Man

Directed by Wilson Yip
2008

Donnie Yen plays Bruce Lee's future teacher and does his own fighting throughout: Wing Chun filmed at full speed with long takes, in a Foshan under Japanese occupation.

★ 5.4

Empire of the Sun

Directed by Steven Spielberg
1987

Christian Bale was thirteen and carries the entire film: Spielberg follows an English boy separated from his parents in occupied Shanghai, and never lets the war become an adventure.

★ 5.4