Dr. Strangelove
Directed by Stanley Kubrick
1964
Nuclear annihilation has never been this funny, and never will be again: Kubrick worked out that the strategy was already absurd, and simply let his generals talk.
★ 9.6
The Movies canon
Sourced and screened.
Every film chosen by hand and annotated for why it matters.
Browse all 731 films or filter by genre, director, place, and year.
Browse all 731 films or filter by genre, director, place, and year.
Pulp Fiction
Directed by Quentin Tarantino
1994
Young filmmakers were allowed to sound different after this one: Tarantino let two hitmen argue about hamburgers for ten minutes, and an entire decade of American cinema followed.
★ 9.5
Some Like it Hot
Directed by Billy Wilder
1959
American comedy has never been funnier, and the Legion of Decency was appalled: Wilder ran a single disguise for two hours without ever letting the joke thin out.
★ 9.4
City Lights
Directed by Charlie Chaplin
1931
Chaplin's own favorite of his films, and the one people cry at: he refused to make it a talkie, then built ninety minutes toward a final thirty seconds.
★ 9.3
Annie Hall
Directed by Woody Allen
1977
The romantic comedy has never recovered from it: Allen talks to the camera, walks into his own memories, drops subtitles over small talk, and breaks every rule the form had.
★ 8.8
Back to the Future
Directed by Robert Zemeckis
1985
Screenwriting teachers use it as the worked example: every joke and every prop planted early comes back later, and the whole machine runs without a single wasted second.
★ 8.8
Modern Times
Directed by Charlie Chaplin
1936
Chaplin's farewell to silence, made nine years into the sound era out of pure stubbornness: the factory gears swallow him, and he answers the talkies entirely on his own terms.
★ 8.7
Toy Story
Directed by John Lasseter
1995
First feature film animated entirely on computers, and the start of Pixar's extraordinary run: it holds up because underneath the toys it is a sharp story about jealousy.
★ 8.7
The General
Directed by Buster Keaton and Clyde Bruckman
1926
Keaton did every stunt himself and dropped a real locomotive through a burning bridge: it flopped, cost him his independence within two years, and is now considered the great silent comedy.
★ 8.6
The Graduate
Directed by Mike Nichols
1967
A generation was told their parents were wrong and believed it: Nichols made aimlessness look cinematic, and the soundtrack put Simon and Garfunkel into every house in America.
★ 8.5
Groundhog Day
Directed by Harold Ramis
1993
The title became a phrase people use without knowing the film: a comedy about repeating one day turned into the most quietly serious argument about how to live.
★ 8.2
Do the Right Thing
Directed by Spike Lee
1989
No American film has been braver about refusing to resolve: one Brooklyn block on the hottest day of the year, and Lee will not tell you who was right.
★ 8.2
The Big Lebowski
Directed by Coen Brothers
1998
It underwhelmed in cinemas and then grew a festival, a religion and a vocabulary: the Coens built a Chandler plot around a man whose only ambition is getting his rug replaced.
★ 8.1
Monty Python and the Holy Grail
Directed by Terry Gilliam and Terry Jones
1975 · United Kingdom
No comedy has been quoted more relentlessly for fifty years: the Pythons could not afford horses, banged coconuts instead, and turned the budget problem into the joke.
★ 7.9
Airplane!
Directed by David Zucker and Jim Abrahams
1980
It fires jokes at a rate almost nothing before it attempted and lands most of them: the trick was casting dramatic actors and telling them to play everything straight.
★ 7.8
Finding Nemo
Directed by Andrew Stanton and Lee Unkrich
2003
It became the highest grossing animated release to that point and pushed what animation could render: an ocean of light and current, and a frightened father crossing it.
★ 7.8
The Gold Rush
Directed by Charlie Chaplin
1925
Chaplin said this was the film he wanted to be remembered for: the boiled boot eaten like a banquet, the dancing dinner rolls, and a cabin on a cliff edge.
★ 7.7
It Happened One Night
Directed by Frank Capra
1934
It helped launch the screwball comedy and left fingerprints on every romance that followed: a runaway heiress, a broke reporter, a night bus, and a blanket hung between two beds.
★ 7.7
Monty Python's Life of Brian
Directed by Terry Jones
1979 · United Kingdom
Councils across Britain banned it and Norway would not show it at all: the Pythons went after zealotry rather than faith, which is exactly why it still works.
★ 7.7
Young Frankenstein
Directed by Mel Brooks
1974
Brooks has called it his best film and he shot it using the original 1931 laboratory equipment: black and white, played completely straight, and funnier for the discipline.
★ 7.6
The Truman Show
Directed by Peter Weir
1998
Psychiatrists named a delusion after it: a man begins to suspect his whole town is a set and everyone in his life is paid, and 1998 had no idea.
★ 7.6
Inside Llewyn Davis
Directed by Coen Brothers
2013
The Coens made the saddest film about failure that anyone has managed to make funny: a folk singer plays beautifully, sleeps on couches, and gets absolutely nowhere at all.
★ 7.5
The Princess Bride
Directed by Rob Reiner
1987
It barely registered in cinemas and built its whole following on video: pirates, giants, a six-fingered man, and a grandfather reading to a boy who does not want the story.
★ 7.5
Toy Story 3
Directed by Lee Unkrich
2010
Pixar took a third film in a series somewhere nobody expected it to go: the toys end up far from a toy box, and the last act is genuinely harrowing.
★ 7.4
Brazil
Directed by Terry Gilliam
1985
The bleakest comedy ever made about paperwork: Gilliam imagined a state that tortures you politely and misfiles the forms afterward, and had to fight his own studio to release it.
★ 7.4
This is Spinal Tap
Directed by Rob Reiner
1984
Real musicians find it painful to watch because everything in it has happened to them: Reiner and his cast improvised almost the entire film from a bare outline.
★ 7.4
Ratatouille
Directed by Brad Bird and Jan Pinkava
2007
Almost nothing else takes both cooking and criticism this seriously: a rat with a palate steers a hapless human around a Paris kitchen, and the food looks extraordinary.
★ 7.3
When Harry Met Sally
Directed by Rob Reiner
1989
Every romantic comedy since has been trying to write this conversation: two people argue for twelve years about whether men and women can be friends, and Ephron's dialogue wins.
★ 7.2
Tootsie
Directed by Sydney Pollack
1982
Hoffman said the part permanently changed how he saw women, and what he learned is worked out here as farce: an unemployable actor becomes a soap opera star.
★ 7.2
Forrest Gump
Directed by Robert Zemeckis
1994
People still argue about whether it is sentimental or sly, and both readings hold: a simple man walks through forty years of American history without ever noticing.
★ 7.2
Duck Soup
Directed by Leo McCarey
1933
The Marx Brothers at their fastest and most anarchic, and they left Paramount soon after it underperformed: the mirror sequence has been stolen by everybody in comedy since.
★ 7.2
Play Time
Directed by Jacques Tati
1967 · France
Tati built a working modern city on the edge of Paris and it bankrupted him: there is no plot, no close-up, and something funny in every corner of the frame.
★ 7.1
Ghostbusters
Directed by Ivan Reitman
1984
It should not work at all and it works completely: three academics start a small business catching ghosts in New York, and Murray ad-libs freely on top of the script.
★ 7.1
Bringing Up Baby
Directed by Howard Hawks
1938
Nobody talks faster than this: Hawks overlapped every line until the dialogue becomes a physical event, and it did badly enough that exhibitors called Hepburn box office poison.
★ 7.1
Toy Story 2
Directed by John Lasseter and Ash Brannon
1999
Pixar scrapped the whole film and rebuilt it in nine months, and it came out better than expected: the song about being outgrown is what people remember.
★ 7.0
Amelie
Directed by Jean-Pierre Jeunet
2001 · France
The most exported French film of its generation: Jeunet saturated Paris into green and gold and sent a shy waitress out to quietly rearrange other people's lives.
★ 7.0
The Breakfast Club
Directed by John Hughes
1985
Five teenagers in one room for a Saturday detention, and every teen film since has been rearranging the same five: Hughes let them talk instead of doing anything.
★ 6.9
Blazing Saddles
Directed by Mel Brooks
1974
Brooks spent years saying it could not be made today and has since changed his mind: a Black sheriff arrives in a frontier town built on racism, and everybody gets hit.
★ 6.9
The King of Comedy
Directed by Martin Scorsese
1983
It flopped and now looks like prophecy: De Niro plays a man who believes fame is owed to him, and Scorsese refuses to let you laugh comfortably.
★ 6.9
Raising Arizona
Directed by Coen Brothers
1987
The Coens' funniest film and by some way their fastest: a childless couple steal one of a furniture magnate's quintuplets, and the chase never once slows down afterward.
★ 6.9