The Movies canon

Sourced and screened.

Every film chosen by hand and annotated for why it matters.
Browse all 731 films or filter by genre, director, place, and year.

Hamburger Hill

Directed by John Irvin
1987

The least mythologizing Vietnam film anyone made: ten days in May 1969 taking one hill that the army abandoned immediately afterward, filmed as almost pure exhaustion and mud.

★ 2.0

The Quiet American

Directed by Phillip Noyce
2002

Miramax delayed releasing it after September 11 because the politics looked unpatriotic: Graham Greene's novel about American certainty in 1952 Saigon, with Michael Caine giving his best late performance.

★ 3.5

Good Morning, Vietnam

Directed by Barry Levinson
1987

Robin Williams was handed a microphone and the cameras simply ran: an armed forces disc jockey lands in Saigon in 1965, and everyone above him wants the broadcast back the way it was.

★ 4.1

Empire of the Sun

Directed by Steven Spielberg
1987

Christian Bale was thirteen and carries the entire film: Spielberg follows an English boy separated from his parents in occupied Shanghai, and never lets the war become an adventure.

★ 5.4

Ip Man

Directed by Wilson Yip
2008

Donnie Yen plays Bruce Lee's future teacher and does his own fighting throughout: Wing Chun filmed at full speed with long takes, in a Foshan under Japanese occupation.

★ 5.4

A Better Tomorrow

Directed by John Woo
1986 · Hong Kong

It made Chow Yun-fat a superstar and started an entire Hong Kong genre: two brothers on opposite sides of the law, and a gunman in a trenchcoat lighting a cigarette with money.

★ 5.7

Infernal Affairs

Directed by Andrew Lau and Alan Mak
2002 · Hong Kong

Scorsese's The Departed is a remake of this, and the Hong Kong original is fifty minutes tighter: two moles assigned to find each other, and a plot that never stops to explain itself.

★ 6.5

The Hidden Fortress

Directed by Akira Kurosawa
1958 · Japan

Lucas took the two bickering peasants and turned them into R2-D2 and C-3PO: Kurosawa's first widescreen film tells an escape story from the point of view of its most useless characters.

★ 6.5

Howl's Moving Castle

Directed by Hayao Miyazaki
2004 · Japan

Miyazaki's most beautiful machine is a walking house held together by magic and bad temper: underneath the wonder is an angry anti-war film, made while he watched the invasion of Iraq.

★ 6.6

Hero

Directed by Zhang Yimou
2002 · China

Zhang Yimou shot each retelling of one assassination attempt in a different color: Christopher Doyle's photography is so beautiful that the film's politics start an argument every single time.

★ 6.7

Throne of Blood

Directed by Akira Kurosawa
1957 · Japan

Shakespeare's Macbeth moved to sixteenth-century Japan with every line of the poetry gone: Kurosawa substitutes fog, Noh masks worn as faces, and a forest that seems to be watching the castle.

★ 6.8

The Killer

Directed by John Woo
1989 · Hong Kong

Woo shoots gunfights the way other directors shoot musical numbers: two pistols, slow motion, doves, and underneath it a straight-faced story about honor between a hitman and the cop hunting him.

★ 6.8

MASH

Directed by Robert Altman
1970

Altman's overlapping dialogue turns up fully formed: army surgeons in Korea behave appallingly in order to stay sane, and the film was really about Vietnam all along.

★ 6.8

The Wind Rises

Directed by Hayao Miyazaki
2013 · Japan

Miyazaki announced his retirement with it, a retirement he later took back: a young man designs beautiful aircraft that become weapons, and nothing about that is resolved.

★ 6.8

Letters from Iwo Jima

Directed by Clint Eastwood
2006

Eastwood made two films about the same battle, and the Japanese one is the better: shot almost entirely in Japanese, with a general nobody in America had heard of.

★ 6.9

Jiro Dreams of Sushi

Directed by David Gelb
2011

It will alter how you think about doing one thing for an entire lifetime: an eighty-five-year-old sushi master in a Tokyo subway station, still not satisfied with himself.

★ 7.0

Platoon

Directed by Oliver Stone
1986

Oliver Stone served in Vietnam and made this to correct everyone else's version: no glamour, no clarity, and a platoon that splits between two sergeants and stays split.

★ 7.3