Spaceballs
Directed by Mel Brooks
1987
George Lucas allowed it on condition that no merchandise be sold, so Mel Brooks put a merchandising joke in the film: Star Wars parodied by someone who clearly loves it.
★ 3.0
The Movies canon
Sourced and screened.
Every film chosen by hand and annotated for why it matters.
Browse all 731 films or filter by genre, director, place, and year.
Browse all 731 films or filter by genre, director, place, and year.
The Avengers
Directed by Joss Whedon
2012
Five years of separate films paid off in one: nobody had tried a shared universe at this scale, and the circling shot of the assembled team explains why every studio copied it.
★ 4.5
Escape from New York
Directed by John Carpenter
1981
John Carpenter turned Manhattan into a prison on a shoestring and it still looks right: Kurt Russell plays a convict given twenty-two hours to retrieve the president, and enjoys none of it.
★ 4.6
Star Trek
Directed by J.J. Abrams
2009
J. J. Abrams solved the reboot problem by making the new timeline canon rather than a replacement: the crew meets young, the casting is uncanny, and Star Trek became a summer action film.
★ 5.0
Avatar
Directed by James Cameron
2009
Cameron waited more than a decade for the technology to catch up to his script, then made the highest-grossing film ever released: whatever you make of the story, nothing had looked like this.
★ 5.2
Predator
Directed by John McTiernan
1987
The original creature suit was so bad they scrapped it mid-shoot and had Stan Winston build another: a commando squad in the jungle slowly works out that something is hunting them.
★ 5.9
Superman
Directed by Richard Donner
1978
Warner promised audiences they would believe a man could fly, and they did: Christopher Reeve plays both halves so completely that a pair of glasses becomes a plausible disguise.
★ 6.1
12 Monkeys
Directed by Terry Gilliam
1995
Gilliam built it from La Jetee, a French short told in still photographs: a prisoner is sent up from an underground future to trace a plague, and nobody in 1990 believes a word.
★ 6.3
Star Wars Episode VI: Return of the Jedi
Directed by Richard Marquand
1983
The trilogy sticks its landing: the speeder chase through Endor still moves better than most digital work made since, and the whole climax runs on puppets, models and matte paintings.
★ 6.6
Monsters, Inc.
Directed by Pete Docter and Lee Unkrich
2001
Pixar built an entire energy economy out of children's nightmares: the joke is that the monsters are salaried professionals, and the film turns on one of them being frightened of a toddler.
★ 6.7
Minority Report
Directed by Steven Spielberg
2002
Spielberg hired futurists to design 2054 and most of what they invented has since arrived: gesture screens, targeted advertising, and a police force that arrests you beforehand.
★ 6.8
Frankenstein
Directed by James Whale
1931
Karloff's monster became the face everyone pictures, which is not what Mary Shelley wrote: Whale made a horror film that keeps asking who the actual monster is.
★ 7.1
The Prestige
Directed by Christopher Nolan
2006
Nolan built a film about magicians the way a magician builds a trick, and tells you so in the first minute: two rivals destroy each other over one illusion.
★ 7.2
Brazil
Directed by Terry Gilliam
1985
The bleakest comedy ever made about paperwork: Gilliam imagined a state that tortures you politely and misfiles the forms afterward, and had to fight his own studio to release it.
★ 7.4
The Terminator
Directed by James Cameron
1984
Cameron made it for six million dollars and launched two careers and a franchise: a machine that cannot be bargained with, cannot be reasoned with, and absolutely will not stop.
★ 7.9
Close Encounters of the Third Kind
Directed by Steven Spielberg
1977
Spielberg made the rare first-contact film that treats the aliens as something to hope for: an ordinary man starts building a mountain in his living room and cannot say why.
★ 8.0
Jurassic Park
Directed by Steven Spielberg
1993
The moment the first dinosaur appears is the moment audiences stopped trusting their own eyes: Spielberg mixed puppets and computers so well that the seams still do not show.
★ 8.2
Terminator 2: Judgment Day
Directed by James Cameron
1991
Computer effects became believable overnight: Cameron spent more money than anyone ever had, put a liquid metal killer on screen, and every studio in town immediately started writing checks.
★ 8.2
Stalker
Directed by Andrei Tarkovsky
1979
Nothing else in cinema moves this slowly and holds this completely: Tarkovsky walks three men into a forbidden zone for nearly three hours, and almost nothing happens.
★ 8.3
WALL-E
Directed by Andrew Stanton
2008
Pixar's bravest film: the first forty minutes have almost no dialogue at all, and a robot with two expressions carries more feeling than most live actors manage.
★ 8.5
Aliens
Directed by James Cameron
1986
Almost no sequel changes genre and survives it: Cameron turned Scott's haunted house into a war picture, and an action performance drew a rare Academy Award nomination.
★ 8.6
Inception
Directed by Christopher Nolan
2010
Proof that a summer blockbuster can be genuinely difficult: Nolan stacked four levels of dream on top of each other and audiences argued about the last shot for years.
★ 8.6
Children of Men
Directed by Alfonso Cuaron
2006
It looked like science fiction in 2006 and looks like the news now: Cuaron's roaming takes put you inside a collapsing Britain, and the ambush in the car is astonishing.
★ 8.7
A Clockwork Orange
Directed by Stanley Kubrick
1971
Kubrick pulled it from British cinemas himself after the reaction, and it stayed unavailable there for twenty-seven years: a state that enforces goodness, an invented slang, imagery nobody forgets.
★ 8.7
Metropolis
Directed by Fritz Lang
1927
Science fiction has been raiding its designs for a century: Lang built a vertical city and a metal woman in 1927, and both are still turning up in new films.
★ 8.8
ET the Extra-Terrestrial
Directed by Steven Spielberg
1982
Highest grossing film in the world for a decade, and it earns every cent: Spielberg shot at child height so the adults are legs and voices, and wrecks entire cinemas.
★ 8.8
Back to the Future
Directed by Robert Zemeckis
1985
Screenwriting teachers use it as the worked example: every joke and every prop planted early comes back later, and the whole machine runs without a single wasted second.
★ 8.8
The Matrix
Directed by The Wachowskis
1999
Action filmmaking divides neatly into before and after this one: the Wachowskis fused Hong Kong wire work with a philosophy seminar's premise and everyone spent five years copying it.
★ 8.9
Eternal Sunshine of the Spotless Mind
Directed by Michel Gondry
2004
No romance this century has come close: Kaufman's premise, that you could pay to have someone erased, turns out to be the most honest thing anyone has said about breakups.
★ 8.9
Alien
Directed by Ridley Scott
1979
Giger's creature is still the most frightening thing anyone has designed for a screen: Scott fused haunted house and space opera, and put a woman at the center of both.
★ 9.0
Blade Runner
Directed by Ridley Scott
1982
It flopped, then quietly redesigned the future: every rainy neon city of the last forty years is borrowing from Ridley Scott, and the mood still outlasts the plot.
★ 9.2
Star Wars Episode V: The Empire Strikes Back
Directed by Irvin Kershner
1980
Everyone learned how to make a sequel from this: the pressure builds for two hours, the tone stays darker than anyone expected, and one line near the close rearranged a generation's childhood.
★ 9.4
Star Wars Episode IV: A New Hope
Directed by George Lucas
1977
Modern Hollywood begins here: Lucas told the oldest story there is inside a universe that looked used and lived in, and the blockbuster has run the business ever since.
★ 9.5
2001: A Space Odyssey
Directed by Stanley Kubrick
1968 · United Kingdom
Kubrick took the audience from the first bone tool to the far side of Jupiter, explained almost nothing, and made every science fiction film since look domestic by comparison.
★ 9.8