
Romeo and Juliet
At a party in Verona two teenagers from feuding families meet, marry the next day, and are gone inside a week. Everything they say to each other still sounds newly invented.

At a party in Verona two teenagers from feuding families meet, marry the next day, and are gone inside a week. Everything they say to each other still sounds newly invented.

A monkey born from stone storms heaven, is pinned under a mountain for five hundred years, then escorts a monk to India for Buddhist scriptures. Eighty-one disasters later it is still funny.

Four Athenians run into the woods to escape a forced marriage, a fairy potion lands on the wrong eyelids, and a weaver acquires a donkey's head. Shakespeare makes desire look gloriously stupid.

Outnumbered in France, a young king talks his army into fighting at Agincourt, promising that whoever survives will remember the day forever. After the battle he reads out the names of the dead.

Falstaff is the greatest comic creation in English, a fat knight who lies about everything, and Prince Hal wastes his youth drinking with him while rebellion gathers against his father the king.

In Venice a merchant borrows from Shylock, a Jewish moneylender he has spat on, pledging a pound of his flesh. Shylock asks whether a Jew does not bleed, and the comedy never recovers.

Beatrice and Benedick insult each other so expertly that their friends trick each into believing the other is secretly in love. Their war of words gave English comedy its model for courtship.

Falstaff ages and the king dies while Prince Hal waits for the crown. Shakespeare wrote no colder scene than the new king telling his old tavern friend that he does not know him.

Faustus signs away his soul for twenty-four years of power, Tamburlaine the shepherd burns his way across Asia, and Barabas poisons a convent. Marlowe gave English drama its first tragic grandeur.

Brutus is persuaded that killing his friend will save the republic. Antony stands over the body, says he comes to bury Caesar and not to praise him, and turns Rome around.

Richard tells the audience in his first speech that he means to be a villain, then makes them accomplices. He courts a widow beside the corpse of the king he murdered.