Hamlet, Prince of Denmark
1603 · 406 pages
Hamlet's father appears as a ghost and demands revenge, and the prince spends the play failing to take it. Four centuries of readers have found their own divided minds in his hesitation.
★ 9.9
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17th century
1601 – 1700
Showing 702 works across all media from the 17th century
Las Meninas
1656 · El Prado, Madrid
The Infanta and her maids fill the room, but Velázquez has put himself at his easel and the king and queen in a mirror behind.
★ 9.8
The Holy Bible (King James Version)
Various
1611 · 1728 pages
God makes the world, loses the people in it, and spends the rest of the book getting them back. The English of this translation is the English later writers have had to answer.
★ 9.8
King Lear
1607 · 316 pages
An old king divides his kingdom by asking his daughters how much they love him, and the truthful one says least. Shakespeare wrote nothing bleaker, and the last scene is unbearable.
★ 9.8
Don Quixote
1605 · 940 pages
An old man reads himself mad on chivalry, names himself a knight, and rides out with a farmer for a squire. Four hundred years on the book is still hilarious and still heartbreaking.
★ 9.7
Paradise Lost
1667 · 591 pages
Satan rebels in heaven, loses, and comes for the first two people. Milton meant to justify God and produced a devil so magnificent he nearly walks off with the greatest poem in English.
★ 9.5
Ecstasy of Saint Teresa
1652 · Church of Santa Maria della Vittoria, Rome
Bernini staged the saint's own account of her vision as theater, lit from a window he hid above and watched by marble spectators in boxes.
★ 9.4
Macbeth
1606 · 223 pages
Witches promise a soldier the crown, and he and his wife murder their way to it. Shakespeare's shortest tragedy moves like a nightmare, and the guilt arrives before the blood dries.
★ 9.4
View of Delft
1660 · Mauritshuis, The Hague
Vermeer painted his own city from across the harbor, almost his only townscape. Proust called it the most beautiful painting in the world.
★ 9.3
The Night Watch
1642 · Rijksmuseum, Amsterdam
A militia company surges out of the shadow with a dog barking and a girl glowing among the men. Varnish, not night, made it dark.
★ 9.2
Apollo and Daphne
1624 · Galleria Borghese, Rome
Bernini was in his mid-twenties when he cut this, catching Daphne at the moment bark closes over her thigh and leaves push from her fingers.
★ 9.1
Othello
1603 · 314 pages
Iago tells the audience exactly how he will destroy his general, then does it with a handkerchief and patient lying. His reasons never explain it, and watching Othello believe him is agony.
★ 9.0
Judith Slaying Holofernes
1620 · Uffizi Gallery, Florence
Judith and her maid hold Holofernes down together and work the blade through his throat. Artemisia painted it a decade after her rape trial.
★ 8.8
The Anatomy Lesson of Dr Nicolaes Tulp
1632 · Mauritshuis, The Hague
Rembrandt was twenty-five and new in Amsterdam when the surgeons' guild hired him, and he built every head in the room around one lifted tendon.
★ 8.8
The Surrender of Breda
1635 · El Prado, Madrid
The Spanish general stops the defeated Dutchman from kneeling and lays a hand on his shoulder. Spaniards still call the picture The Lances.
★ 8.8
Portrait of Pope Innocent X
1650 · Galleria Doria Pamphilj, Rome
Velázquez caught every wary line in the pope's face, and Innocent reportedly said it was troppo vero, too true. Francis Bacon reworked it for years.
★ 8.8
Hamlet · 1616
Return of the Prodigal Son
1669 · Hermitage Museum, St. Petersburg, Russia
The son kneels with his shorn head against his father's chest and the old man's hands come down on his back. Rembrandt painted it near death.
★ 8.7
Girl with a Pearl Earring
1665 · Mauritshuis, The Hague
Not a portrait of anyone in particular but a tronie, a study of a type, which somehow made her the most looked-at girl in art.
★ 8.6
The Tempest
1611 · 259 pages
Prospero raises a storm to strand the men who stole his dukedom on an island where a spirit and a monster obey him. What he does with that power reads as Shakespeare's farewell.
★ 8.6
The Milkmaid (Vermeer)
1660 · Rijksmuseum, Amsterdam
A kitchen maid pours a thin stream of milk in ordinary daylight, given the weight and stillness usually reserved for saints.
★ 8.5
The Descent from the Cross (Rubens at Antwerp)
1614 · Cathedral of Our Lady, Antwerp
Christ's body slides down one long diagonal onto a white shroud. It still stands on the altar in Antwerp Cathedral that Rubens painted it for.
★ 8.5
Beheading of St. John the Baptist
1608 · Co-Cathedral of St. John, Valletta
The only canvas Caravaggio ever signed, and he signed it in the blood running from the saint's throat, for the knights of Malta.
★ 8.4
The Conversion of Saint Paul
1601 · Palazzo Odescalchi Balbi, Rome
Caravaggio's first attempt at the subject, turned down by the patron, before he threw out the angels and left one man, one horse and the light.
★ 8.4
Death of the Virgin
1606 · Louvre, Paris
The Virgin lies barefoot and swollen like any corpse. The church that ordered it refused delivery, and Rubens told his duke to buy it.
★ 8.4
View of Toledo
1610 · Metropolitan Museum of Art, New York City
El Greco moved the cathedral tower off its real site for the sake of the composition and lit the whole city with a green storm.
★ 8.4
David (Bernini)
1624 · Galleria Borghese, Rome
Bernini put the viewer where Goliath must be standing, so the sling is being wound up to throw straight past your head.
★ 8.4
The Art of Painting (The Artist's Studio)
1668 · Kunsthistorisches Museum, Vienna
Vermeer never sold this one. The model poses as Clio, muse of history, with a great map of the Netherlands filling the wall behind.
★ 8.3
Leviathan
1651 · 688 pages
Strip away the state, Hobbes argues, and life becomes a war of everyone against everyone, nasty, brutish, and short. The remedy is to hand all our power to one sovereign.
★ 8.2
Wind God and Thunder God (Fujin Raijin-zu)
1630 · Kyoto National Museum, Kyoto
The two gods hurtle in from opposite edges and Sotatsu leaves the whole middle empty, so the bare gold reads as sky.
★ 8.2
Supper at Emmaus
1601 · National Gallery, London
One disciple grips his chair to stand and the other throws his arms wide, while a fruit basket teeters off the edge toward us.
★ 8.0
Jahangir Preferring a Sufi Shaikh to Kings
1617 · Freer Gallery of Art, Washington, District of Columbia
The emperor hands a book to a Sufi and ignores the kings waiting below, one of them James I, copied from an English portrait.
★ 7.9