
Blue Train
Coltrane's only record as a leader for Blue Note, made as a favor to the label's founder while he was under contract elsewhere.

Coltrane's only record as a leader for Blue Note, made as a favor to the label's founder while he was under contract elsewhere.

Recorded in 1949 and 1950 by a nine-piece band with a tuba and a French horn, and not gathered onto one record until 1957.

The words to Tutti Frutti were too obscene to record, so a local songwriter rewrote them in fifteen minutes over a lunch break.

The title track was so hard to play that after twenty-five attempts they gave up and spliced a version together from pieces.

Nearly every song is built on the same jarring interval, a tritone, which Bernstein threads through the whole score from the opening bars.

Two voices at opposite ends of everything, one crystalline and one like gravel, backed by the Oscar Peterson quartet with no written arrangements.

Her voice had gone by then, and she sings behind the beat and around the notes, which turns out to be the whole point.

By 1956 Cole was a pop star who rarely played piano. Here he sits back down at it, with a small group, after hours.