Paranoid
Iommi's riff arrived as three-minute filler for the album, Butler wrote the words fast, and Sabbath had their biggest UK hit.
Iommi's riff arrived as three-minute filler for the album, Butler wrote the words fast, and Sabbath had their biggest UK hit.

Cee-Lo cut the vocal in one take over a 1968 spaghetti western sample. Nine weeks at UK number one.
Four notes known as Syd's theme, and Barrett himself turning up at Abbey Road mid-session, unrecognized by the band.

A ballad first, written at art school, until Weymouth's French bridge and bassline turned it feral.

The only Nevermind track cut to a click track, and Grohl's metronome only makes the quiet-loud lurch hit harder.

Rahki built it on the Isley Brothers' That Lady, and Lamar turned self-love into two Grammys.

Five hours in a Los Angeles jingle studio, the demo kept as the master, its subject hidden in plain sight.

Buckmaster spilled ink across his orchestral score and rewrote all of it in a day; Spedding's electric guitar prowls underneath.

Pirner wrote it during a breakdown, and Tony Kaye's video named missing children, region by region, until some came home.

Rob Thomas called it a song for people who feel alone; eighteen weeks at Adult Top 40 number one.