
Good Vibrations
Brian Wilson's pocket symphony, months and a fortune spent chasing one shimmering theremin line into the sunlight.

Brian Wilson's pocket symphony, months and a fortune spent chasing one shimmering theremin line into the sunlight.
It opens by admitting doubt and spends the next two minutes refuting it; McCartney still calls it the greatest.
Two accordions, a key change eight beats in, and 21 takes at Gold Star before Wilson sang about growing up.
Forty-four takes for the backing track, Hal Blaine and Carol Kaye on it, and an intro built like a fanfare.

Wilson heard Be My Baby, resolved to answer it, and took the title phrase from his girlfriend Marilyn Rovell.

Twelve players at Western, an empty water jug for percussion, and Murry Wilson speeding the tape a semitone.

Al Jardine sold Wilson a Bahamian folk tune, and Billy Strange's twelve-string solo went down in a single take.
Three Wilson brothers on the first verse, singing harmonies worked out in the Hawthorne bedroom the song describes.
Brian Wilson chased Chuck Berry on the piano into a C-F-G pattern; a surfing friend supplied the beach names.

Mike Love's chorus of island names over Ry Cooder's guitar, and the Beach Boys' first number one in twenty-two years.