
Smells Like Teen Spirit
Four chords, a mumble nobody could decipher, and the riff that ended one decade of rock and started another.

Four chords, a mumble nobody could decipher, and the riff that ended one decade of rock and started another.
Harrison opened a book at random, saw "gently weeps", and Clapton came in uncredited to play the solo.

Built on the bones of Tom Petty's American Girl, which Petty confirmed without complaint, and recorded in Gordon Raphael's basement.

Six and a half hours in Stephenson's house, a slide guitar loop, and a hook mocking Beck's own rapping.

Albarn built it on a melodica and an Omnichord's first preset; Del cut his verses in half an hour.

Gentry's demo vocal was kept, Jimmie Haskell added four violins and two cellos, and the intended B-side became the A-side hit.

A dream about a party where every guest had Lenny Bruce's initials, sped into Document's headlong disaster list.

Matlock's riff, lifted off ABBA's "SOS", and the sound of a generation deciding not to care.

Koenig found the punctuation via a Columbia Facebook group, then wrote a song about not caring at all.

A slow descending riff, Armstrong's insomnia, and a segue into Jaded that welded the two songs together permanently.

Sounwave's woozy loop, Ab-Soul in the margins, and Lamar naming a generation's numbness on his debut album.

Named for a 1920s pole-sitting fad, cut in Seattle in 1996, and now inseparable from Peep Show's opening titles.

The last number one of the eighties and the first of the nineties, with David Crosby singing behind Collins.

Seven minutes long, never a single, self-produced by the trio, and the longest slow burn on Writer's Block.