
Mona Lisas and Mad Hatters
Taupin's first New York, gunfire outside the hotel window, a rose borrowed from Spanish Harlem, all cut in France.

Taupin's first New York, gunfire outside the hotel window, a rose borrowed from Spanish Harlem, all cut in France.
Armstrong wrote it about squatting in a West Oakland warehouse, and the Dookie re-recording is the one everyone knows.
A Stevie Wonder interpolation cleared on condition the profanity went, L.V.'s stacked one-man choir, and 1995's biggest-selling single.

Cut in Leamington Spa on eight tracks, the flute squeezed onto full brass, number one while Britain burned.

Written in a rental van home from San Francisco, and the final two minutes simply double the tempo.

Slash's riff, McKagan's breakdown recycled from his old punk band, and roughly three hours from nothing to finished song.
The record that proved hip hop could report and not just party, and the edge everyone's been close to since.