
Blurry
Alone in a Hollywood hotel room missing his son, Scantlin turned the ache into ten weeks atop Mainstream Rock.

Alone in a Hollywood hotel room missing his son, Scantlin turned the ache into ten weeks atop Mainstream Rock.

A father narrating his son's boyhood, written by Dillon and Chamberlain, and Strait's thirty-sixth number one.

Rutherford and B.A. Robertson had both just lost their fathers; Carrack, who lost his young, sang it.

Patrick's blackouts and a father's disappointment sit behind it, six minutes of guitar haze on Title of Record.

Fogelberg wrote it for his father Lawrence, a working bandleader who lived to hear it and talk about it.

Michel Zitron lifted the chorus line straight from his father, John Martin sang it, and the trio had its farewell.
Treach turned a fatherless East Orange childhood into verse, with Marley's chorus supplying the only comfort on offer.

Armstrong's father died in September 1982; by his account the words he said that day waited twenty years.

Cut in February 1971 with Paul Buckmaster conducting, a character sketch about a balloon seller and the son who leaves.

Will Jennings helped finish a lyric Clapton wrote after his four-year-old son died; three Grammys followed in 1993.

Cantrell's song for his father, a Vietnam veteran nicknamed Rooster who appears in Pellington's video; number seven on Mainstream Rock.

Cuomo's working title was "The Classic Rock Song"; Ocasek produced, and the clean offbeat chords carry a family's addiction.

Gossard's demo was called Dollar Short until Vedder set it to learning who his real father was.

Nearly four minutes of bass, hi-hat and lone trumpet before anyone sings, and the groove never sags.