The Kids Are Alright
1966 · From My Generation
Recorded at IBC in October 1965, it stalled at 41 in Britain, then became the mod movement's calling card.
★ 6.1
The Songs canon
Sourced and sung.
Every song chosen by hand, with the recording to play it.
Browse all 2,393 songs or filter by genre, subject, artist, and year.
Browse all 2,393 songs or filter by genre, subject, artist, and year.
I Can See for MilesThe Who
I Can See for Miles
1967 · From The Who Sell Out
Townshend called it his ace in the hole and never forgave Britain for stopping it at number ten.
★ 6.6
I Can't Explain
1964
Straightforward Kink copying, by Townshend's own admission, with the Ivy League on harmonies and Shel Talmy at the desk.
★ 6.6
Who Are YouThe Who
Who Are You
1978 · From Who Are You
Townshend woke in a Soho doorway after drinking with two Sex Pistols, and Keith Moon's last album took the title.
★ 6.7
Substitute
1966
Townshend built it from a single word in "Tracks of My Tears", and American pressings rewrote the line about race.
★ 6.8
Behind Blue EyesThe Who
Behind Blue Eyes
1971 · From Who's Next
Townshend's theme for the villain of his abandoned Lifehouse, and Daltrey sings the self-pity straight before Moon wrecks it.
★ 7.3
Pinball WizardThe Who
Pinball Wizard
1969 · From Tommy
Townshend wrote it to flatter a pinball-obsessed critic, then called it the clumsiest thing he ever wrote.
★ 7.6
Won't Get Fooled Again
1971 · From Who's Next
Eight and a half minutes, a Lowrey organ run through a VCS3, and Daltrey's scream tearing into the final verse.
★ 8.0
My GenerationThe Who
My Generation
1965 · From My Generation
Entwistle's bass solo needed a Fender after his Danelectro strings snapped, and Daltrey stuttered his way into history.
★ 8.7
Baba O'Riley
1971 · From Who's Next
That opening arpeggio is a Lowrey organ's marimba repeat function; Dave Arbus's violin sends the ending careening.
★ 9.0