The Wind Cries Mary
Twenty minutes at the tail end of the Fire session, and Hendrix trading fire for something quiet and blue.
Twenty minutes at the tail end of the Fire session, and Hendrix trading fire for something quiet and blue.

One note shaken into a wide vibrato, then feedback, then the sharp-ninth chord that carries his name.

Hendrix took Tim Rose's slow arrangement off a jukebox, Chandler hired the Breakaways, and Britain answered at number six.

A glockenspiel, a Leslie speaker meant for organs, and Hendrix fading out after two minutes and twenty-five seconds.
Cut May 3, 1968 with an ABC film crew rolling, and it became Hendrix's only British number one, posthumously.

The intro is a tritone, medieval music's forbidden interval, and Roger Mayer's new Octavia pedal makes the solo scream.

Hendrix took Dylan's parable and lit it, and Dylan has played it Hendrix's way ever since.