
She Ain't You
Built on SWV's Right Here and Michael Jackson's Human Nature, Brown sighing over an ex from inside a new relationship.

Built on SWV's Right Here and Michael Jackson's Human Nature, Brown sighing over an ex from inside a new relationship.

Troy Taylor cut it at D2 in Atlanta, and Songz's birthday toast climbed to number nine, then double platinum.

Coogi paid the entire million-dollar bill for the Miami video, and Detail's beat still outshines it.
Seventy-eight seconds of Da Internz production, cut in a Copenhagen hotel room, that leaked and made the album by demand.

Maurice Starr wrote and produced it, Jordan Knight and Donnie Wahlberg took the leads, and Britain crowned it a year later.

Fraser T Smith produced a UK number one; Mercury then added Ludacris and it leapt to the American top spot.

T-Pain's Auto-Tune, a yacht in Biscayne Bay, and a Grammy nomination for a Digital Short.

R. Kelly wrote and produced it, Diddy guested, and B2K got their only week at number one.

Vocoder all over an R&B ballad in 2001, years before the effect took over pop radio; the Haileys wrote it.

A Shalamar interpolation, six weeks atop Rhythmic Airplay, and only JC Chasez singing despite the full NSYNC credit.

Twenty-three weeks of climbing before it peaked at number four, riding a Mick Schultz beat built for last call.

Sean Kingston's team turned it down, so Iyaz took it to number one in Britain and number two at home.

Heavy D and Poke and Tone looped the Gap Band's "Outstanding," and the eldest brother took the lead vocal.

Richard Marx wrote it for a girl group, rewrote the harmonies for five men, and topped adult contemporary thirteen weeks.
Gibson wrote it in 1984, Fred Zarr produced, Louie Vega mixed, and she was sixteen at its release.

Pop and Oak's glossy production, an Ester Dean co-write, and Nas cast as the love interest in Benny Boom's video.

A Beverly Hills, 90210 soundtrack cut that spent three weeks atop adult contemporary and gave McKnight his breakthrough.