
Falling
Twenty years old when Sha Sha arrived, Kweller later played this one through a nosebleed at Austin City Limits.

Twenty years old when Sha Sha arrived, Kweller later played this one through a nosebleed at Austin City Limits.

Long Island power pop, written overnight for the girlfriend Hampson later married, cut in Atlanta with Nick DiDia.

Rick Rubin produced it, the video was shot at the Playboy Mansion, and Cuomo swears the longing was sincere.

An anarchist collective from Leeds, a sample from Brassed Off, and a chorus about ordinary people refusing to stay down.
Ray Davies cut it at Konk in 1977, a department store Santa mugged by kids who want jobs, not toys.

Ruess wanted a hip hop producer and Paul Simon's harmonies; the sleeper took seven months to reach number three.

Perry left therapy sick of staying quiet, and Bonnie McKee turned that into pop's loudest dust-yourself-off chorus.

Alex Call says there was no Jenny, just a backyard afternoon, four chords and seven digits America dialed for decades.

Epic wanted a radio-friendly love song; Bareilles wrote a refusal instead, and that piano riff climbed to number four.

Dean found an empty beach midweek and wondered where everyone was; Reno turned waiting for the weekend into working.

Jason Schwartzman still drummed for the band when they cut it; The O.C. later made it a UK top ten.

Schlesinger owned up to this one, chasing the Cars; Ocasek assumed the intro was sampled from Just What I Needed.

Jimmy Marinos sang it from behind the drum kit; the single stalled at 49 and never went away.

Number one in Australia, number two in Britain, built from Brown's memory of Long Island parents fearing metal records.

Alexander buried a celebrity taunt in the last verse to prove the press would ignore the politics; it worked.

An answer song to "Walk on the Wild Side," mistaken for a summer hit; its real subject is addiction.

Ocasek produced it, Cuomo aimed for the Velvet Underground, and the party-chatter intro made a sad song sound hilarious.

Recorded at IBC in October 1965, it stalled at 41 in Britain, then became the mod movement's calling card.

Not planned for the Green Album until Ocasek fought for it, then Spike Jonze filmed the band among wild animals.

Capitol dropped the band, Trombino produced on credit, and the drum pattern came straight off Tom Petty's You Wreck Me.