Macarena
Romero improvised the chorus for a flamenco dancer in Venezuela; the Bayside Boys remix ran fourteen weeks at number one.
Romero improvised the chorus for a flamenco dancer in Venezuela; the Bayside Boys remix ran fourteen weeks at number one.
A gym joke about mirror preening, built on a riff lifted from Hendrix's Third Stone from the Sun.

Cut at the Record Plant with The Underdogs, 130 BPM of house that gave Brown his first UK number one.

Rasted got the idea at a Danish kitsch exhibition, and Mattel's trademark suit lost to the parody defense.

RedOne produced it with Bilal Hajji, a dance-floor emergency that peaked at number five and opened Miss Universe.
Hammond and Warren's song first surfaced on a Tina Turner B-side; Aswad, then Ace of Base, found the hit inside.

Fraser T Smith produced a UK number one; Mercury then added Ludacris and it leapt to the American top spot.
Dutch singer, German producers, and a Gilbert Montagne sample underneath; the Roxbury soundtrack later handed it a second life.

Ester Dean's writing put Minaj on a hook rather than a verse, and matched Guetta's best American chart placing.
Written on New Year's Day in the Canary Islands, then finished at Cheiron by Denniz Pop and Max Martin.

One YouTube link from his manager gave Young the voice he wanted, and a top-ten summer duet.
Gibson wrote it in 1984, Fred Zarr produced, Louie Vega mixed, and she was sixteen at its release.

DJ Frank E's video-game synths cut at the Record Plant, and Brown's return to pure pop after the mixtape years.

Polow da Don and Sean Garrett built it on Middle Eastern percussion, and Snoop Dogg turned up for the single.

Rihanna's team turned it down for Loud, and Usher took it to number four with Pitbull along for the ride.

Shellback and Max Martin built a toast to outsiders, and it gave Pink her third Billboard number one.

will.i.am heard electro in Sydney nightclubs while filming Wolverine, then rode that beat to twelve weeks at number one.

Ron Fair rebuilt an album track into a single, adding a bridge and a rap; four weeks at number one followed.

A deliberate Euro-club record from Akon and Giorgio Tuinfort, with a video now past a billion views.