
Free Fallin' (John Mayer)
Two days was all Petty and Lynne needed; Mayer's acoustic version, taped at the Nokia Theatre, became a single itself.

Two days was all Petty and Lynne needed; Mayer's acoustic version, taped at the Nokia Theatre, became a single itself.

Ward got the idea riding a bus of Elvis fans to the tenth Graceland vigil, and Myles won a Grammy.

Steve Jordan on drums, Pino Palladino on bass, and a Grammy for a chorus about feeling politically stuck.

Popper wrote it about an unrequited crush, then watched it sit on the Hot 100 for forty-nine weeks.

Desmond Child helped Tyler and Perry finish it, and Liv Tyler's debut video kept MTV busy through 1994.
Jack White turned a children's clapping rhyme into a complaint about the phone company, cut in his own living room.
Pino Palladino on bass, Ricky Peterson on piano, Steve Jordan producing, and Mayer singing the moment the dream ends.

Mayer lobbied his label against releasing it, then won Song of the Year in 2005 and said so onstage.

Piano and Meg's drums instead of a riff, cut at White's Detroit house, thematically the album's one cheerful track.

Hoyt Axton's mother held the publishing back over its language; Easy Rider then made Steppenwolf's version unavoidable.

A Shirley Eikhard song Raitt carried to number five, her biggest American hit, and a Grammy for that vocal.
Everlast left House of Pain, picked up an acoustic guitar, and topped both rock charts with three street portraits.

Cut first for the Up in Rags EP, all four members co-producing, a clothesline standing in for one-sided love.

Never a single, still platinum: Mayer, Steve Jordan and Pino Palladino playing a relationship that both parties know is finished.

Jon Lord's Hammond organ on the 1982 original, a heartbreak song Coverdale wrote in Portugal, later a number one.

Alicia Keys sings backing behind Pino Palladino's bass, and Mayer called it the most important song he has written.
Pappalardi and Gail Collins wrote new words over a shelved "Lawdy Mama" take, and Clapton borrows Albert King wholesale.

Chapman played it live for seven years before recording it, then a loose blues shuffle became her biggest hit.

Among Plant's first songwriting credits, a CBS contract having blocked him on the debut, over guitars panning across both channels.

Jeff Porcaro's half-time shuffle carried it to Record of the Year, and drummers have been chasing that groove since.